Kevin is excited for IT!

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by Kevin Muller

It was a hot day in the summer of 1994.  I was eleven years old and enjoying  being off from school for the entire summer.  God, I miss those days when summer was vacant of responsibility and work.  That day, my friends and I had just finished playing a short game of roller hockey, due to the extreme heat.   My friend Brad, whose house we were playing in front of, mentioned a movie that his brother and his friends had seen the previous weekend.   It was about a clown and was written by an author I had heard my older cousins talk about at numerous family gatherings.    Brad’s brother had it on VHS, where he recorded it off the television.  He had the brilliant idea to cut the commercials out too.   His brother was at work, so we decided to check out “IT.”

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“Beware the Slenderman” Coming Soon!

BEWARE THE SLENDERMAN, A CHILLING LOOK AT THE INFAMOUS CASE OF

TWO 12-YEAR-OLD WISCONSIN GIRLS WHO STABBED THEIR BEST FRIEND

TO PAY TRIBUTE TO THE FICTIONAL INTERNET LEGEND SLENDERMAN,

DEBUTS JAN. 23 ON HBO

            The news horrified the world: Two 12-year-old American girls lured a friend into the Wisconsin woods and stabbed her 19 times in an effort to appease a faceless mythical entity known online as Slenderman. But there’s more to the story than the dark headlines it generated.

Delving deep into this shocking crime, the sobering documentary BEWARE THE SLENDERMAN examines how an urban myth could take root in impressionable young minds, leading to an unspeakable act, when it debuts MONDAY, JAN. 23 (10:00 p.m.-midnight ET/PT) on HBO.

The documentary will also be available on HBO NOW, HBO GO, HBO On Demand and affiliate portals.

Directed by Irene Taylor Brodsky (HBO’s Oscar®-nominated “The Final Inch”), BEWARE THE SLENDERMAN covers all sides of this unusual ongoing case, drawing on an eerie array of Slenderman-inspired art, games and self-produced video, all culled from the Internet, along with heart-wrenching, unprecedented access to the two girls’ families, courtroom testimony and interrogation-room footage.

On May 31, 2014, in Waukesha, Wisconsin, a 911 call reported a chilling crime. A girl had been stabbed and was found by the side of the road near the woods. The national news media quickly picked up on the story: Victim Payton (“Bella”) Leutner had been brutally stabbed and left for dead. The suspects were her friends Morgan Geyser and Anissa Weier. All three were 12 years old.

In separate interrogation rooms, Morgan and Anissa both explained to detectives that they were compelled to kill their friend in order to become proxies of Slenderman, a fictional Internet character they believed was real.

Bella recovered from her injuries, and Morgan and Anissa were charged with attempted first-degree murder. By Wisconsin law, they would be tried as adults, though their lawyers appealed to have the case moved to juvenile court. While the girls awaited the judge’s ruling in a juvenile detention center, their baffled parents struggled to understand what happened.

Morgan and Anissa discovered Slenderman on the Internet and came to believe he would hurt their families unless they killed Bella to appease him. Usually depicted as a tall man in a black suit with a featureless white face, Slenderman first appeared on the Internet as part of a 2009 Photoshop contest, lurking behind children in two black-and-white photos. Seen as both a malevolent figure and a guardian angel, Slenderman soon spread to all platforms of the Internet, spawning fan fiction, artwork, games and videos around the world.

Eventually, conspiracy theories about the origins of Slenderman multiplied, and he became a viral meme, with a historic mythology. His character tapped into universal fears, with roots going back to stories by The Brothers Grimm and legends like The Pied Piper of Hamelin.

Anissa and Morgan were particularly susceptible to believing in Slenderman, in part because of their isolation. Anissa’s teacher, Tom Haynes, says she was a social outlier who often cried because she didn’t have friends. Without a peer group of other girls, the pair became more and more obsessed.

Critically, experts testified during a hearing that Anissa has characteristics of a delusional disorder (the inability to distinguish real from not real). This diminished ability can be found in many people to varying degrees. Psychologist Dr. Michael Caldwell, Psy.D. states, “Adults may have simply eccentric religious or spiritual beliefs or conspiratorial beliefs or things like that, and live out their life with no problems at all.”

Additionally, psychiatrists diagnosed Morgan with early childhood schizophrenia, a mental illness also afflicting Morgan’s father. Morgan’s mother comments that she knew one of their children might also develop schizophrenia, and admits there were signs with Morgan. Yet she never imagined something like this could happen.

A year later, citing the premeditated nature of the crime, the judge ruled the girls were to be tried as adults. Having spent more than two years incarcerated and with their trial date still pending, Morgan and Anissa’s saga has now become part of the Slenderman Internet myth.

BEWARE THE SLENDERMAN features interviews with experts who help put the girls’ mental state and the Slenderman myth in context, including: digital folklorist Trevor J. Blank, Ph.D.; Brad Kim, editor-in-chief, KnowYourMeme.com; evolutionary biologist Richard Dawkins, Ph.D.; literary critic Jack Zipes, Ph.D.; neurodevelopmental psychologist Abigail Baird, Ph.D.; and psychologist Jacqueline Woolley, Ph.D.

Ultimately, the film reveals how adolescent isolation, mental health issues and the nebulous reality of the Internet created a chilling mandate for two young girls, with life-altering consequences.

BEWARE THE SLENDERMAN was directed and produced by Irene Taylor Brodsky; produced by Sophie Harris; director of photography, Nick Midwig; edited by Gladys Mae Murphy; original score, Benoit Charest. For HBO: senior producer, Sara Bernstein; executive producer, Sheila Nevins.

Courtesy of HBO

Review – Silence (2016)

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by Old King Clancy

When Scorsese came out with Wolf of Wall Street a few years ago he showed everyone that even at 70 he had the energy and the madness to fuel a 3 hour mess of excess and still have it be one of his best works. Now in 2016 Scorsese slows things down in order to return to a passion project of his, Silence based on the 1966 novel of the same name, a story about Jesuit Priests who travel to 17th Century Japan to spread the word of Christianity only to be met with suffering and persecution. Scorsese’s past in the priesthood is well-documented and the fact that he’s been trying for this project off the ground for 25 years means that this was always going to be an experience worth having.

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‘FENCES’ : Denzel Washington and Viola Davis Go From Stage to Studio

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by Nile Fortner

According to The Wrap, Vulture, and WikipediaFences was originally “a 1983 play by the legendary American playwright August Wilson. Set in the 1950sFences explores the evolving African-American experience, family, the relationship between a father and son, examines race relations, among other themes. The play won the 1987 Pulitzer Prize for Drama and the 1987 Tony Award for Best Play. Fences premiered on Broadway at the 46th Street Theatre on March 26, 1987, and closed on June 26, 1988, after 525 performances and 11 previews. Directed by Lloyd Richards, the cast featured James Earl Jones (voice of Darth VaderThe Sandlot) as Troy Maxson, Mary Alice (Malcolm X, The Matrix Revolutions) as Rose, and Courtney B. Vance (Terminator Genisys, Office Christmas Party) as Cory.”

More recently, Wikipedia has written, “Broadway revived the iconic play. It opened at the Cort Theatre on April 26, 2010, with limited showing. Directed by Kenny Leon, this time around the production starred Denzel Washington (Training Day, The Equalizer) as Troy Maxson and Viola Davis (Prisoners, Suicide Squad) as Rose, as the married couple struggling with American race relations. The play was nominated for a total of ten Tony Awards, winning three for Best Revival of a PlayBest Actor in a Play (Denzel Washington), and Best Actress in a Play (Viola Davis).”

Now that we got that little history lesson out the way. Let’s talk about the actual movie Fences, because that’s what I’m assuming you are here for.

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Drive it like you stole it, and ride with John Carney to Sing Street!

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by Nile Fortner

When you have a conversation with someone about movies in 2016, what do you hear? Do you hear the obvious major blockbusters? All the movies with over a year of hype? Do you discuss the good and not so good? In 2016, I have had conversations with family and friends about such films as, Captain America: Civil War, Suicide Squad, 10 Cloverfield Lane, Moonlight, Swiss Army Man, The Nice Guys, and what a majority of people were discussing and debating about, Batman v Superman: Dawn of Justice. Despite how you may feel about these films, one film I believe people are not discussing enough or even realizing is Sing Street. I don’t know about you, but I have not had any conversations and or clue about Sing Street. Overall, people really didn’t seem to talk or care about it. Which is really a shame, because Sing Street should without a doubt definitely be one of the top 2016 films everyone should be talking about and viewing. 
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Review – Under the Skin

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by Nile Fortner

In the film Under the Skin, Laura, played by Scarlett Johansson (The Avengers, Don Jon) is an extraterrestrial, who disguises as a woman of Earth. Who drives around Scotland, capturing unsuspecting men. With this type of plot, many of us would assume a great horror film. However, we get a great mixture of an artistic direction, science fiction, fantasy, drama, and themes throughout this film.

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Review – Yoga Hosers

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by Nile Fortner


Now when I first saw the trailer to Kevin Smith’s (Clerks, Dogma) Yoga Hosers I was a little surprised. Now for those who have not seen the trailer for this film, and are asking yourself “What the Hell are some Yoga Hosers?” The trailer focuses on the two Canadian girls from Smith’s last film, Tusk, who work at a convenience store, and encounter Nazi sausages. Seriously. When I saw the trailer, my immediate instinct reaction was “What the fuck?” It wasn’t that what the fuck with anger, it wasn’t what the fuck with confusion, it really was just a simple what the fuck.

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