Review – A Monster Calls

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by Kevin Muller

Every so often in Hollywood, film makers throw at us a movie that looks like one that young children would enjoy, but contain themes that are way beyond their years.     In 2009, the long awaited adaptation of Maurice Sendak’s children’s book “Where the Wild Things Are” finally came to cinemas.  Many were expecting a movie about the adventures of a boy and a few oversized monsters.   What they got was a deep and meaningful piece of art about the emotions that Max, the human main character of the story, goes through and how he must deal with these extreme feelings.  Yeah, this definitely sounds like something a six year old would eat up.  Sarcasm aside, even though the movie was lauded by critics, it left many children and parents, wanting to find a movie to keep their kids occupied for two hours, cold to what was done to the beloved children’s novel.

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Review – Hacksaw Ridge

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by Old King Clancy

Mel Gibson has slowly been putting himself back into Hollywood’s good books after he ostracized himself with his drunken, racist rants. He’s primarily worked in lower budget actions movies which have been mostly decent but he hasn’t stepped behind the camera since Apocalypto in 2006. Now ten years later he takes up directing duties again for a war movie about a pacifist and the true story of Desmond Doss on Hacksaw Ridge, it’s an incredible story and unbelievable if it wasn’t true but Gibson has a story to tell about a man of god going into Hell and the result is pretty good, though falls just short of greatness.

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Good to the Last Fry! The Founder – Review (2017)

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by Chris Rzigalinksi

Ray Kroc, the McDonald’s Corporation Founder and former CEO, is a pivotal yet obscure figure to the billions of people around the world that eat at his restaurant every day. His legacy is finally explored in a major motion picture with John Lee Hancock’s The Founder (2016). Michael Keaton follows award-winning performances in Birdman and Spotlight with a stunning take on Kroc that both shows the man as a product of his time and as someone constantly trying to transcend its limitations. Keaton’s finest talent as an actor is to bleed dry the unlikable qualities of his characters and locate their last remaining bits of redeeming integrity. He transforms writer Robert Siegel’s story from a script to a pilgrimage about an enigmatic visionary, who, to paraphrase Kroc’s famous words, was in the right place at the right time and did something about it.

 

The Founder gives us a deeper understanding of Ray Kroc by depicting him as a product of mid-20th century aspiration. Mobility is the major theme of the film, in both the physical and financial senses. We first meet Kroc as a milkshake machine salesman crisscrossing the United States in 1954. It’s important to remember the context of this moment in history. Nine years after World War II ended, America was an affluent nation. Government funding like the G.I. Bill helped returning soldiers afford college educations, stable homes, and reliable automobiles. Suburban communities sprang up across the nation. And the Federal Aid Highway Act would be signed by President Dwight Eisenhower in two short years. Cars and the freedom they afforded were the linchpin of this cultural revolution. Ray’s recognized that Americans were living at a faster pace and that food service had to keep up.

 

That awareness draws him to the McDonald brothers in San Bernardino, California. Dick, played by Parks and Recreation he-man Nick Offerman, and Mac, played by John Carroll Lynch, probably most recognizable for his roles in American Horror Story and TURN: Washington’s Spies, wow Kroc with their signature Speedy System. Derived from Henry Ford’s Model T assembly line process, the Speedy System dispenses with all wasted motion and turns out the most hamburgers possible per batch. A complete meal consisting of a hamburger, an order or french fries, and a Coke took only an astounding 30 seconds to reach customers’ hands. As the McDonald brothers explain their research methods to Ray, that wide-eyed mischievous Beetlejuice gaze creeps into Keaton’s eyes. The combination of innocence and calculation is Ray Kroc. We get to discover him along with Keaton through that one gesture.

 

In what I believe to be the most poignant scene of the film, Ray goes to a movie theater to see On the Waterfront, the 1954 Marlon Brando classic. The implicit reference is to Brando’s “Terry” lamenting his failed boxing career. We don’t hear the famous lines, “I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let’s face it,” but the silent association with worrying about failure is even more powerful. We root for Ray to prevail. He goes back to the brothers with a powerful vision: McDonald’s as the next American church; the Golden Arches becoming just as iconic as Old Glory.

 

As a business venture hatches, we get to know the complexity of Ray Kroc. His vision is to franchise, franchise, and franchise. His drive to open the first McDonald’s in Illinois leads to a desire for expansion across the midwest. The brothers see this as overreaching, and it’s not long until conflict develops. Ray worries he can’t possibly stay true to the brothers’ core standards and still create a fast food empire. That’s when Kroc’s story really begins. Our trust in Ray is compromised by a series of decisions that blur the lines of ambition and exploitation. In the hands of any other actor, the character might become repulsive. However, Michael Keaton’s genius keeps us invested, like we were plunging into the empty box for that one last french fry.
The Founder deals with ethical issues like the value of a name, treatment of concepts versus people, and the struggle for self-preservation. It’s especially relevant in 2017, when our president’s ego-maniacal personality and take-no-prisoners business ethic helped him earn a seat in the White House. Michael Keaton pulls off the role with help from great performances by Laura Dern as his neglected wife, Linda Cardellini as his inspiration, and BJ Novak as the financial advisor that enabled his fortune. I give The Founder 5 out of 5 hairpieces. It’s a well-done biopic that educates us about an important pop culture phenomenon and remains entertaining from title to credits. Check it out in theaters now, and feel free to sneak in a Big Mac.

Review – Moonlight (2016)

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by Old King Clancy

There’s a strange dichotomy in today’s society, while we’re a lot more open towards gender, race and sexuality and allowing people of all types to come forward and be who they are without judgement, there’s another side of us that hates this to the point of murdering anyone who is openly different. With the Black Lives Matter movement in America and the Orlando shooting last year the decision to be yourself as a black or gay individual comes with the threat that people out there want to hurt you for something you have no control over, so do you make that choice, do you be who you want to be, or do you hide away and hope nobody sees through your armour.

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Oscar Nominations 2017-‘La La Land’ is in the lead with 14 nods!

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Best Picture

Arrival

Fences

Hacksaw Ridge

Hell or High Water

Hidden Figures

La La Land

Lion

Manchester By the Sea

Moonlight

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Directing

Denis Villeneuve, Arrival

Mel Gibson, Hacksaw Ridge

Damien Chazelle, La La Land

Kenneth Lonergan, Manchester By the Sea

Barry Jenkins, Moonlight

Lead Actress

Isabelle Huppert, Elle

Ruth Negga, Loving

Natalie Portman, Jackie

Emma Stone, La La Land

Meryl Streep, Florence Foster Jenkins

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Lead Actor

Casey Affleck, Manchester by the Sea

Andrew Garfield, Hacksaw Ridge

Ryan Gosling, La La Land

Viggo Mortensen, Captain Fantastic

Denzel Washington, Fences

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Supporting Actress

Viola Davis, Fences

Naomie Harris, Moonlight

Nicole Kidman, Lion

Octavia Spencer, Hidden Figures

Michelle Williams, Manchester by the Sea

Supporting Actor

Jeff Bridges, Hell or High Water

Mahershala Ali, Moonlight

Dev Patel, Lion

Michael Shannon, Nocturnal Animals

Lucas Hedges, Manchester By the Sea

Animated Feature

Kubo and the Two Strings

Moana

My Life as a Zucchini

The Red Turtle

Zootopia

Animated Short Film

Blind Vaysha

Borrowed Time

Pear Cider and Cigarettes

Pearl

Piper

Cinematography

Arrival

La La Land

Lion

Moonlight

Silence

Documentary Feature

Fire at Sea

I Am Not Your Negro

Life, Animated

O.J.: Made in America

13th

Documentary Short

Extremis

4.1 Miles

Joe’s Violin

Watani: My Homeland

Foreign Language Film

Land of Mine

A Man Called Ove

The Salesman

Tanna

Toni Erdmann

Live Action Short Film

Ennemis Interieurs

La Femme et le TGV

Silent Nights

Sing

Timecode

Sound Editing

Arrival

Deepwater Horizon

Hacksaw Ridge

La La Land

Sully

Original Score

Jackie

La La Land

Lion

Moonlight

Passengers

Original Screenplay

Hell or High Water

La La Land

The Lobster

Manchester by the Sea

20th Century Women

Adapted Screenplay

Arrival

Fences

Hidden Figures

Lion

Moonlight

Best Original Song

“Audition (The Fools Who Dream)” – La La Land

“City of Stars” – La La Land

“How Far I’ll Go” – Moana

“The Empty Chair” – Jim: The James Foley Story

“Can’t Stop the Feeling” – Trolls

Best Costume Design

La La Land

Fantastic Beasts and Where to Find Them

Florence Foster Jenkins

Jackie

Allied

Best Makeup and Hair Styling

Star Trek Beyond

Suicide Squad

A Man Called Ove

Best Production Design

La La Land

Fantastic Beasts and Where to Find Them

Arrival

Hail Caesar

Passengers

Best Film Editing

La La Land

Moonlight

Hacksaw Ridge

Arrival

Hell or High Water

Best Visual Effects

The Jungle Book

Rogue One: A Star Wars Story

Doctor Strange

Deepwater Horizon

Kubo and the Two Strings

Best Sound Mixing

La La Land

Hacksaw Ridge

Rogue One: A Star Wars Story

Arrival

13 Hours: The Secret Soldiers of Benghazi

Review – Nocturnal Animals

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by Kevin Muller

There are certain movies that are so soaked in mystery that talking about them in any kind of form would be a lapse in judgement. Tom Ford’s new film “Nocturnal Animals” is that very type of film. The trailer for this film doesn’t really show what this thing is about. It is refreshing to actually go into a movie without knowing over 50% of the plot. What Ford has given us though is something both thought provoking and emotionally raw.

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Classic Review – Batman (1989)

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by Armando Vanegas

Even watching Tim Burton’s Batman now, it still sets the stage for a spectacle and you can see the kind of skill Tim Burton can put into a movie. Right from the beginning, this seems like this could be something big and to be fair, it’s not like there was a lot of superhero movies coming out at the time. Thankfully, it does live up to what a big screen blockbuster should and can be. Granted, some of the effects and the sets are a bit fake looking thanks to the great powers of HD but there’s still a very fun experience to be had here. There’s a lot of money being shown on the screen with the sets, which do a great job at presenting this world. I remember rewatching this a few years ago and I was not particularly blown away by it but there’s something about this recent watch that made me appreciate it more. The thing is that it’s not the kind of movie we see anymore especially from the perspective of a comic book movie. It’s kind of endearing that this was made solely just to tell a story and to entertain but it’s just that. I don’t have to watch 12 more movies to lead up to a franchise just to witness a satisfying end for this movie. Not that that’s bad but I’m in school right now and as a result, I’m not always in the mood for that kind of movie. Anyway, this movie is just called Batman and that’s pretty much what it’s about. I saw Batman do what Batman needed to do and I’m all the more appreciative for that.

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Find Out Why James McAvoy Has Done Awful Things to People, and Why He’ll Do Awful Things to You in ‘SPLIT’

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by Nile Fortner

So a couple of days ago I decided to check out the movie Split. Split is directed by M. Night Shyamalan (The Sixth Sense, Unbreakable) and the movie is about a man named Kevin Crumb, played by James McAvoy (Filth, X-Men: Apocalypse) who has revealed 23 completely different personalities to his psychiatrist, Dr. Fletcher, played by Betty Buckley (The Happening). Out of all the 23 different personalities that are within Kevin, one has not emerged. One that is set to dominate all the other personalities, one that Kevin calls…The Beast! One of Kevin’s personalities decides to abduct three teenage girls; one of those girls, Casey, played by Anya Taylor – Joy (The Witch, Morgan) tries to relate to Kevin’s split personalities. Kevin eventually reaches a breaking point, and all of his personalities begin to slowly unleash the beast within him.

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Review -La La Land

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by Kevin Muller

What more can you say about “La La Land” that already hasn’t been said?  They say it is a masterpiece of a movie that is about ambition, dreams, and hope, all set against original music and beautiful dancing.  They say Emma Stone and Ryan Gosling have one of a kind chemistry and are also individually incredible.  Yes, a lot has been said about this film and most of it is true.

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