by Kevin Muller
What a complicated path this has been to this year’s Oscars. First, the Academy tried to shoehorn a category in ,“Popular Film,” that was quickly taken out after much outcry. Then, Kevin Hart was hired then fired after his anti-gay tweets surfaced. Finally, the Academy wanted to cut certain awards that always had their time to shine, but quickly walked back, and put them back in. We haven’t even gotten to the ceremony where some celebrities are going to be annoying with their political beliefs that no one asked to hear. Anyway, the Oscars have always been a second Superbowl to me, without the high ratings. I love movies, and even though I don’t always agree with the picks, Chicago winning best picture comes to mind, I always like to see what/who wins. Let’s get to it…
We reviewed Peter Farrelly’s Green Book that’s nominated for 5 Oscars! The 91st Academy Awards will air on Sunday, February 24th.
#Greenbook #GreenBookMovie #MovieReview #Oscars
“A working-class Italian-American bouncer becomes the driver of an African-American classical pianist on a tour of venues through the 1960s American South.”
by Armando Vanegas
Sometimes, I get bored reviewing new movies so for some reason, I wanted to go through all the Wes Anderson movies in chronological order in the meantime. It’s just something that gives me a challenge to do and maybe there will be unexpected feelings and unique thoughts I never saw coming. So, without further delay, let’s begin with his 1996 debut, Bottle Rocket. I remember this being a movie that got a lot of play on Comedy Central back in the day and it was always the kind of movie that I never felt compelled to watch when it’s on. Honestly, I was never impressed with the bits I’d seen, but there were always interesting sequences that made the rest of the movie worth it. So, in subsequent years, I would watch bits and pieces because there was sometimes nothing to watch on cable. When I last watched this movie, I rated this movie rather highly back when I was more of a snob when it came to movies. But as anyone who has read my Phantom Thread review, I’ve decided to just to watch movies as their own individual self, judge them as their own thing no matter who’s involved in terms of the directors, the writers, or the actors. Watching this again was interesting. As a movie directed by someone who would be later become one of the most idiosyncratic and quirky filmmakers of our time, younger middle school me who watched this on cable was right. Outside of a few well directed sequences, it’s fine.
by Old King Clancy
I might have eventually got around to watching the first Happy Death Day, but amazingly enough it was the announcement of the sequel title, Happy Death Day 2U that made me seek it out because I figured a sequel title with that level of tongue-in-cheek humor must be alright. I really enjoyed the first movie thanks largely in part to Jessica Rothe’s star-making performance, so I was all in for the sequel and having now seen it, I’m happy to say it lives up to the original, not better, but if you liked the first then there’s every chance you’ll like this one too.
‘Lost & Found’ is 7 interconnecting stories set in and around a lost & found office of an Irish train station. All segments are inspired by true stories, share a theme of something lost or found and characters that come in and out of each other’s lives.
by Armando Vanegas
Director Steven Soderbergh is nothing if not unconventional or unique. I may not always be crazy about the final product he might provide, but he’s at least playful with the medium. With High Flying Bird, he continues the trend of making unconventional choices by filming his second movie on an iPhone. It’s not an ideal choice, but I was willing to see what he was going to do with it. This unusual decision ends up working out in the end as it effectively fits with the narrative of the protagonist’s DIY plan to bring the game of basketball back to its players. High Flying Bird may not fully coalesce from a narrative standpoint, but the actors and the snappy screenplay by Moonlight writer Tarell Alvin McCraney help to make it a breezy watch.
“It’s like a warm apple pie.” We revisited the raunchy teenage comedy, American Pie that’s currently streaming on Netflix.
“Four teenage boys enter a pact to lose their virginity by prom night.”