Retro Review – They Live (1988)

“I came here to chew bubblegum and kick ass, but I’m all out of bubblegum.” Logan Myerz reviews John Carpenter’s 1988 classic film, They Live, starring Roddy Piper, Keith David, and Meg Foster.

#TheyLive #Horror #MovieReview #RetroReview #JohnCarpenter

“A drifter discovers a pair of sunglasses that allow him to wake up to the fact that aliens have taken over the Earth.”

Review – The Tax Collector (2020)

Logan Myerz and Henry Hill review David Ayer’s newest film The Tax Collector starring Shia LaBeouf and Bobby Soto that hits Theaters, Digital, and VOD on August 7th!

#TheTaxCollector #TheTaxCollectorMovie #MovieReview

“A “tax collector” working for a local crime lord finds his family’s safety compromised when the rival of his boss shows up in L.A. and upends the business.”

SCOOB! – Digital Code #PhellasGiveAway Winner!

We wanted to congratulate the winner of the SCOOB! #PhellasGiveAway Digital Code! Stay tuned for more giveaways coming next month!

#Scoob #ScoobyDoo #PhellasGiveAway #MovieReview

“Scooby and the gang face their most challenging mystery ever: a plot to unleash the ghost dog Cerberus upon the world. As they race to stop this dogpocalypse, the gang discovers that Scooby has an epic destiny greater than anyone imagined.”

SCOOB! – Digital Code #PhellasGiveAway

Jinkies! We’re giving away a digital code copy of the new animated Scooby-Doo reboot SCOOB! Let us know in the comments below “What is your favorite TV show or movie that was rebooted recently?” We’ll announce one random winner on Thursday, July 30th. Good luck to everyone!

#Scoob #ScoobyDoo #PhellasGiveAway #MovieReview

“Scooby and the gang face their most challenging mystery ever: a plot to unleash the ghost dog Cerberus upon the world. As they race to stop this dogpocalypse, the gang discovers that Scooby has an epic destiny greater than anyone imagined.”

Cinephellas Podcast – Episode 81 (Interview with Tuppence Middleton)

On the episode of the Cinephellas Podcast, Logan Myerz  interviews Tuppence Middleton about her role in the new film Fisherman’s Friends. They discuss making the film in South West England, working with the cast, sea shanties, her movie/TV recommendations, and MORE!

#CinephellasPodcast #FishermansFriends #Interview #TuppenceMiddleton

“Ten fisherman from Cornwall are signed by Universal Records and achieve a top ten hit with their debut album of Sea Shanties.”

Fisherman’s Friends is available on Digital and VOD today!

Review – I Know This Much Is True (2020)

by Armando Vanegas

HBO is back with another show to make people sad. If the coronavirus and the recent issues concerning racial inequality from law enforcement weren’t enough to make you feel sad about what’s going on in the world, then this should do the trick. I Know This Much is True is the latest HBO mini-series that stars Mark Ruffalo as a man named Dominick and his twin brother Thomas as they struggle to make a life together as a family in Three Rivers, Connecticut in 1990. It becomes such a struggle that it takes a toll on Dominick in devastating ways. Not only does he have that but there’s also an ex-wife who comes back into his life forcing him to face some demons, a tumultuous relationship with his new girlfriend and father, and a mission to translate his maternal great-grandfather’s diary entries with some roadblocks set up by the eccentric woman he’s hired to translate it. So like most HBO shows, a barrel of laughs.

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Review – Da 5 Bloods (2020)

by Kevin Muller

For almost 40 years, Spike Lee has made some of the most memorable films to come out of Hollywood. His works are full of black pride, black history, and the overall nature of the black experience. With that being said, it took him 35 years to finally get an Oscar nomination. That one was for the incredible 2018 film, Blackkklansman which featured amazing performances by Adam Driver and John David Washington, son of Denzel, who has every bit of his father’s swagger and gift for performance. In the recent years, directors are flocking towards Netflix, because as we saw with Martin Scorsese’s The Irishman, and Alfonso Cauron’s Roma, both my picks for best picture in their respective years, the studio lets the artist do their thing with little to no involvement. It’s now Spike’s turn, so how did he do?

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