Review – Divorce (Seasons 1 + 2)

by Armando Vanegas

Divorce is an HBO series in which Sarah Jessica Parker and Thomas Haden Church are Frances and Robert, a couple who, after a strange event at a friend’s house, realize that they’re stuck in a rut in their marriage, causing them to divorce. Created by Irish actress/writer/producer Sharon Horgan of Amazon’s Catastrophe and IFC’s The Increasingly Poor Decisions of Todd Margaret and executive produced by Paul Simms of NewsRadio, Atlanta, and Girls, the series offers an unflinching look at what happens when two adults decide to get a divorce and the complications that come as a result while attempting to keep things as civilized as possible. The show is great at showing how different both Frances and Robert might have their faults, but no one is painted as an outright villain as the actors bring multiple dimensions to their characters, so that we can understand what they loved in each other and what made them break apart.

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Review- Twin Peaks: The Return (2017)

 

by Armando Vanegas

Shows that come back from a long hiatus can be tricky because you don’t know how it will be perceived and it’s hard to know if it will have the same impact that it did with viewers from years ago. The other thing to consider is that people change and as a result, feelings and sensibilities change. This seems to be a big part of what co-creators David Lynch and Mark Frost were aware of coming into this new season of Twin Peaks, also known as Twin Peaks: The Return, as it seems to have a somewhat different feel from the original series. Whereas the old show contained lots of intentional soap opera satirical aesthetics, these new episodes have a more experimental and esoteric feel that is more fitting on its new premium cable home, Showtime. As usual with any David Lynch project, you’re not going to be given simple answers and satisfying conclusions. As long as you’re okay with that going in, you’re bound get something out of this. It’s not exactly a fun watch, but it gives you something to chew on even if it can be hard to wrap your head around at times thanks to the trademark surrealism on display.

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Review – Twin Peaks (Seasons 1 + 2)

by Armando Vanegas

Twin Peaks had to be interesting to see back in 1990. It was at a time when TV largely stayed in their lanes and never threatened to disturb the status quo. But that’s what happens when you get David Lynch, then of Blue Velvet and Wild at Heart, have the audacity to condescend to TV and bring his weird brand of black lodges and dancing little people in small red rooms with striped floors. For a few years now, I’ve been attempting to experience this show and see what makes it special. After all the hype, I heard about the latest revival by Showtime from last summer, I wanted to review the first two seasons and share some thoughts as someone who was completely new to it and was totally out of the loop as this show was way before my time. I also wanted to give it a chance as it’s considered a pioneer of Peak TV and David Lynch has made things that I’ve liked in the past, so I wanted to see what his vision would look like if it was contained in a network TV show.

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