L.A. Premiere of TNT’s ‘I Am The Night’

Gal Gadot showed support for her Wonder Woman co-star Chris Pine and Wonder Woman director Patty Jenkins at the Los Angeles premiere of I Am The Night. The series is directed by Jenkins and produced by Pine. The TNT television miniseries is a murder mystery that takes inspiration from such cases and stories as The Black Dahlia. In this video, Nile Fortner shares Gal Gadot’s highlights with Pine and Jenkins at the January 24, 2019 event.

#IAmTheNight #PattyJenkins #GalGadot #ChrisPine

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Review – Glass (2019)

by Kevin Muller

Almost 19 years ago, M. Night Shyamalan, followed up his critical, and hugely successful, The Sixth Sense, with a film called Unbreakable. It divided audiences with its serious approach that it took to the comic book lore. Some thought it was pretentious dribble, while others thought it had such brilliance and approached medium in a unique way. For years, Shyamalan teased a sequel to it, but nothing ever developed. Instead, he produced a decade of films that both flopped and were hated by audiences. No one will be able to imagine mother nature and Mark Wahlberg together without laughing.   Then, in 2017, he gave us a new film called Split. It was about a group of girls being abducted by a mad man with multiple personalities, named Kevin Wendell Crumb, or the Horde, who were trying to escape before it was too late. James McAvoy, brilliantly played the antagonist, and it seemed that Shyamalan remembered how to direct a masterful thriller. Then, the ending happened, and you could hear the collective gasps from everyone as it was revealed that this was the sequel to Unbreakable that we had been waiting for. As Bruce Willis’s character, David Dunn, sat at a diner counter top with the theme song from the original film, he now understood that the city of Philadelphia had to be protected, and he had to take down this new threat. After all these years, was it worth the wait?

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Review – Spider-Man: Into The Spider-Verse (2018)

by Armando Vanegas

Just to start, I was very surprised with how much I enjoyed this movie as a lot of animated movies are hard to really win me over. A lot of them are okay but most are mediocre and more than happy to play to the cheap seats. This is disappointing because this is animation so anything is possible but more often than not, they’re so scared to take risks. Spider-Man: Into the Spider-Verse understands this. Like the best kind of entertainment, it knows my time is valuable and as a result, this movie really takes advantage of that in so many unexpectedly brilliant ways. Seriously, this movie works on so many levels. It’s intense, action packed, funny, suspenseful, exciting, unique, and a lot of other words that could be used to describe how great it is. I love how much it’s willing to play with the form. More movies should do this because it’s what makes the theater experience fun.

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Review – The Endless (2017)

by Old King Clancy

A few years ago there was little sci-fi horror flick called Resolution, the first film from filmmakers Justin Benson and Aaron Moorhead. I checked it out recently after realizing it was a semi-prequel to their latest work, The Endless. Resolution was a strange, slow-burning movie that revealed itself to be based around dealing with repeating time-loops and the blurring of each new reality. I enjoyed the film, but I did not come anywhere close to understanding it. By contrast, The Endless not only expands upon these ideas, but gives greater context to what’s been happening across both films. It’s still strange and confusing, but in a more digestible way.

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Review – Widows (2018)

by Armando Vanegas

Steve McQueen’s Widows is a very entertaining time as it feels like a throwback to the older dramas that used to be a big deal before superhero movies and franchises were a thing. If you want to see great actors doing their thing while a great director does his best job at being artful while being contained in a mainstream bubble, then this is the movie for you. A lot of the ads made this look like a big action-packed heist movie and just know that it’s not that. If you’ve seen any of McQueen’s other movies, you know what to expect from him here. It’s more of a slow burn character study about how three women are forced to break out of their shells created by their now deceased husbands through their crimes by way of financial stability. While that might seem heavy, it’s engrossing from beginning to end thanks to great performances and McQueen’s directing.

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