Review – The Irishman (2019)

The Irishman has been 10 years in the making and now the wait is finally over. Logan Myerz reviews his most anticipated film of 2019 that’s directed by Martin Scorsese starring Robert De Niro, Joe Pesci, and Al Pacino. The Irishman is currently streaming on Netflix.

#TheIrishman #MovieReview #MartinScorsese

“In the 1950s, truck driver Frank Sheeran gets involved with Russell Bufalino and his Pennsylvania crime family. As Sheeran climbs the ranks to become a top hit man, he also goes to work for Jimmy Hoffa — a powerful Teamster tied to organized crime.”

 

Review – The Irishman (2019)

by Kevin Muller

The Irishman represents a lot as a film. First, it is the first time the legendary director, Martin Scorsese has worked with legendary actor, Al Pacino. This is also a big gamble for the streaming service, Netflix, who put up the $159 Million dollar budget, when almost every studio in town passed on it. The company has released many films before, including last year’s Oscar winning, and my favorite film of the year, Roma. The gigantic price tag went to de-aging the actors, since this film spans over 50 years. It is an expensive trick to finance. Most of all, this feels like a good-bye to a genre of films made by the master and his crew of skilled actors. The important question is, does it all work?

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Review – The Lighthouse (2019)

by Kevin Muller

When writer and director Robert Eggers burst on to the scene with 2016’s The Witch, he gave us a true New England horror tale. What he succeeded in doing was creating an immersive experience for the viewers. A majority of the time, when films are set in a different time periods, the accents are shoddy, the cinematography too clean, or the actors can’t nail the true essence of the characters. Eggers nailed all three of those aspects and much more. For his next feature, he has given us a movie, that takes place at the end of the 19th century, located in New England, with his two actors speaking in thick New England accents. Does he go two for two, or was his first effort a fluke?

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Zombieland : Double Tap (2019) – Movie Review **31 Days of Horror**

Logan Myerz and Henry Hill review Rubin Fleischer’s sequel film Zombieland : Double Tap starring Woody Harrelson, Jesse Eisenberg, Emma Stone, and Abigail Breslin. The film is now playing in theaters everywhere.

#ZombielandDoubleTap #Zombieland #MovieReview #31DaysofHorror

“Columbus, Tallahassee, Wichita, and Little Rock move to the American heartland as they face off against evolved zombies, fellow survivors, and the growing pains of the snarky makeshift family.”

LETO (2019) – Interview with Michael and Lily Idov

by Logan Myerz

It’s officially the first day of Summer and there’s no better way to celebrate the hottest season of the year than watching the new film Leto. The films title which is Russian for “summer,” tackles a rock ‘n’ roll daydream based on the early days of the famous Soviet-Korean musician Viktor Tsoi, his musician friend Mike Naumenko, and Mike’s wife Natalia. This creates a somewhat complex music love triangle between the three individuals that adds substance to the early 80’s Soviet music scene. The black and white frames used in the film is painted beautifully to describe youth, rebellion, freedom, love, and the oppression that was occurring at that time in the Soviet Union.

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Oscars 2019 – Predictions

by Kevin Muller

What a complicated path this has been to this year’s Oscars.  First, the Academy tried to shoehorn a category in ,“Popular Film,” that was quickly taken out after much outcry.  Then, Kevin Hart was hired then fired after his anti-gay tweets surfaced. Finally, the Academy wanted to cut certain awards that always had their time to shine, but quickly walked back, and put them back in. We haven’t even gotten to the ceremony where some celebrities are going to be annoying with their political beliefs that no one asked to hear. Anyway, the Oscars have always been a second Superbowl to me, without the high ratings. I love movies, and even though I don’t always agree with the picks, Chicago winning best picture comes to mind, I always like to see what/who wins.   Let’s get to it…

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Review – Bottle Rocket (1996)

by Armando Vanegas

Sometimes, I get bored reviewing new movies so for some reason, I wanted to go through all the Wes Anderson movies in chronological order in the meantime. It’s just something that gives me a challenge to do and maybe there will be unexpected feelings and unique thoughts I never saw coming. So, without further delay, let’s begin with his 1996 debut, Bottle Rocket. I remember this being a movie that got a lot of play on Comedy Central back in the day and it was always the kind of movie that I never felt compelled to watch when it’s on. Honestly, I was never impressed with the bits I’d seen, but there were always interesting sequences that made the rest of the movie worth it. So, in subsequent years, I would watch bits and pieces because there was sometimes nothing to watch on cable. When I last watched this movie, I rated this movie rather highly back when I was more of a snob when it came to movies. But as anyone who has read my Phantom Thread review, I’ve decided to just to watch movies as their own individual self, judge them as their own thing no matter who’s involved in terms of the directors, the writers, or the actors. Watching this again was interesting. As a movie directed by someone who would be later become one of the most idiosyncratic and quirky filmmakers of our time, younger middle school me who watched this on cable was right. Outside of a few well directed sequences, it’s fine.

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