Review – Halloween (2018) **31 Days of Horror**

Logan Myerz and Henry Hill travel back to Haddonfield to review the brand new, record-breaking box office debut, Halloween. The film is directed by David Gordon Green.

#31DaysofHorror #Halloween #Halloween2018 #HalloweenMovie #MovieReview #MichaelMyers #Horror #October2018

“Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.”

Review – Mandy (2018)

by Kevin Muller

“Well, that movie was fucked up!”

That was the first thing that my friend said as the ending credits rolled on the screen.  There is no denying that the new Nicolas Cage movie Mandy is a trip. It feels like a movie tailored to that over exuberant energy that we all have come to associate with the Academy Award winning actor.  The question is, is it a trip worth taking?

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Summer of ’84 – Review & Interview with Graham Verchere

‘Summer of ’84’ Is a Splash of Brilliant B-Movie Nostalgia

by Nile Fortner

Even though I wasn’t born yet, I know that 1984 was a fantastic year that gave us classics that would later go on to become classic nostalgia. The year 1984 gave us a Schwarzenegger as a futuristic killing-machine cyborg hunting down anyone named Sarah Connor in The Terminator. The year 1984 also taught us that Gremlins can’t get wet, Molly Ringwald was the O.G. red-head babe before Jessica Chastain (sorry Jessica), and that counting after “five and six you better grab your crucifix” before a red-and-green striped sweater wearing serial killer haunts your dreams.

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Review – Annihilation (2018)

by Old King Clancy

As a writer, Alex Garland has had a hand in some of the best sci-fi of the 21st Century with 28 Days Later, Sunshine, and Dredd under his belt. He continued that trend into his directorial debut, Ex_Machina, which ended up as my top film for that year. When his latest film, Annihilation, got in the news for being considering too ‘smart’ for the average audience and sent straight to Netflix everywhere except the US, Canada, and China, you couldn’t help but wonder exactly how smart Garland had made his film. Especially, when you factor in that both Garland and one of the producers refused to bow into the studio demands to dumb the movie down.

Having now finally seen it, I’m glad Garland stuck to his guns because Annihilation is one of the most unapologetic cases of Hard Sci-Fi I’ve seen for a while.

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