Retro Review – Prom Night (1980)

“As children, they played a killer’s game. Now, it’s the killer’s turn to play with them.” Logan Myerz revisits one of the early 80s slasher flicks Prom Night that defined the sub-genre. The film is directed by Paul Lynch and stars Jamie Lee Curtis and Leslie Nielsen.

#PromNight #Slasher #RetroReview #MovieReview

“At a high school senior prom, a masked killer stalks four teenagers who were responsible for the accidental death of a classmate six years previously.”

Review – Twister (1996)

You’re about to enter “The Suck Zone.” Logan Myerz reviews one of his favorite movies from the 90s, Twister starring Bill Paxton and Helen Hunt.

#Twister #TwisterMovie #MovieReview #RetroReview

“Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.”

Retro Review – Tourist Trap (1979)

Logan Myerz revisits one of the most underappreciated low-budget horror films of the 1970s, Tourist Trap that’s currently streaming on Shudder. The film’s directed by David Schmoeller and starring Chuck Connors and Jocelyn Jones!

#TouristTrap #RetroReview #Horror #MovieReview

“A group of young friends stranded at a secluded roadside museum are stalked by a masked assailant who uses his telekenetic powers to control the attraction’s mannequins.”

Review – Twin Peaks: Fire Walk with Me (1992)

by Armando Vanegas

I’ll never forget where I was when I first saw David Lynch’s Twin Peaks: Fire Walk with Me. I was 13 years old in a pre-streaming world with the movie being the easiest way to access the show thanks to cable television. Seeing parodies of the show and the fact that I was a dedicated TV Guide reader, where the magazine often touted it as one of the great shows of our time, made me more curious about checking it out. When I finally sat down to finally enter this world on a late summer night in 2006, I despised it so much that I wished that I was in a theater with a drink so I could throw something at the screen with the nonsense I was being shown. Little did I know, for David Lynch’s stuff, being weird and nonsensical was a constant in his filmography.

Continue reading

Review – Bottle Rocket (1996)

by Armando Vanegas

Sometimes, I get bored reviewing new movies so for some reason, I wanted to go through all the Wes Anderson movies in chronological order in the meantime. It’s just something that gives me a challenge to do and maybe there will be unexpected feelings and unique thoughts I never saw coming. So, without further delay, let’s begin with his 1996 debut, Bottle Rocket. I remember this being a movie that got a lot of play on Comedy Central back in the day and it was always the kind of movie that I never felt compelled to watch when it’s on. Honestly, I was never impressed with the bits I’d seen, but there were always interesting sequences that made the rest of the movie worth it. So, in subsequent years, I would watch bits and pieces because there was sometimes nothing to watch on cable. When I last watched this movie, I rated this movie rather highly back when I was more of a snob when it came to movies. But as anyone who has read my Phantom Thread review, I’ve decided to just to watch movies as their own individual self, judge them as their own thing no matter who’s involved in terms of the directors, the writers, or the actors. Watching this again was interesting. As a movie directed by someone who would be later become one of the most idiosyncratic and quirky filmmakers of our time, younger middle school me who watched this on cable was right. Outside of a few well directed sequences, it’s fine.

Continue reading

Review- Twin Peaks: The Return (2017)

 

by Armando Vanegas

Shows that come back from a long hiatus can be tricky because you don’t know how it will be perceived and it’s hard to know if it will have the same impact that it did with viewers from years ago. The other thing to consider is that people change and as a result, feelings and sensibilities change. This seems to be a big part of what co-creators David Lynch and Mark Frost were aware of coming into this new season of Twin Peaks, also known as Twin Peaks: The Return, as it seems to have a somewhat different feel from the original series. Whereas the old show contained lots of intentional soap opera satirical aesthetics, these new episodes have a more experimental and esoteric feel that is more fitting on its new premium cable home, Showtime. As usual with any David Lynch project, you’re not going to be given simple answers and satisfying conclusions. As long as you’re okay with that going in, you’re bound get something out of this. It’s not exactly a fun watch, but it gives you something to chew on even if it can be hard to wrap your head around at times thanks to the trademark surrealism on display.

Continue reading