Review – BlacKkKlansman (2018)

by Armando Vanegas

It’s a been a bittersweet time in this country that’s been mostly bitter in ways thanks to the current political state here in America. However, part of what’s been sweet about this year is that whether it’s coincidence or not, a lot of black voices have been able to get a chance to express themselves in such original ways as Black Panther, Sorry to Bother You, Atlanta, and now Spike Lee’s BlacKkKlansman. For the most part, Lee succeeds with what he attempts to put on the screen. It’s a Spike Lee movie so you can definitely say that it’s not boring. The plot of the movie concerning Colorado Springs’ first black police officer in the 1970’s posing as a prospective KKK member who then recruits a Jewish officer to pose as the member in person to infiltrate the Klan. This is pretty unusual and to the movie’s credit, it does a lot with it by using it as a springboard to comment on recent political issues or social commentary that concerns the black community that may have been said before, but needs to reiterated for those who still aren’t able to get the message. For the most part, it never bothered me because it seems to come from a genuine place. While Lee is still Lee, this seem to be more mature and relatively calm to his other movies in its approach to its many ideas. It’s still very ambitious and maybe has too much to say. But it’s at least got some verve to it that I admire for bringing something to the table that will inspire some great food for thought, while simultaneously being an entertaining time at the movies.

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Retro Review – Un Chien Andalou (1929)

Nile Fortner is back with the Retro Review series to review the 1929 short film, Un Chien Andalou.

Synopsis:
“In a surrealistic film with input from Salvador Dalí, director Luis Buñuel presents stark, surrealistic images including the slitting open of a woman’s eye and a dead horse being pulled along on top of a piano. A mysterious film open to interpretations ranging from deep to completely meaningless, this short (17-minute) film certainly presented something new in the cinema of its day.”

Review – Headshot (2016)

‘The Raid: Redemption’ and ‘Mile 22’ star Iko Uwais is a knockout in 2016’s ‘Headshot’!

by Nile Fortner

Star of the action-packed Indonesian flick The Raid: Redemption and The Raid 2, Iko Uwais now stars in the new Mark Walberg and John Malkovich film, Mile 22. The new action thriller directed by Peter Berg (Lone Survivor) once again brings Uwais to the hard-hitting action cinema that has made him a well-known worldwide action-star. While Mile 22 is expected to be a hit at the box-office due to the leading performances, I have decided to go back and think of Uwais as a leading man. Uwais is known for one of the best action films in years, The Raid: Redemption and the sequel The Raid 2, is without a doubt a great leading man in action movies. On the other hand, one film that seems to not have gotten as much praise as ‘The Raid’ films is the 2016 Indonesian film, Headshot.

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Summer of ’84 – Review & Interview with Graham Verchere

‘Summer of ’84’ Is a Splash of Brilliant B-Movie Nostalgia

by Nile Fortner

Even though I wasn’t born yet, I know that 1984 was a fantastic year that gave us classics that would later go on to become classic nostalgia. The year 1984 gave us a Schwarzenegger as a futuristic killing-machine cyborg hunting down anyone named Sarah Connor in The Terminator. The year 1984 also taught us that Gremlins can’t get wet, Molly Ringwald was the O.G. red-head babe before Jessica Chastain (sorry Jessica), and that counting after “five and six you better grab your crucifix” before a red-and-green striped sweater wearing serial killer haunts your dreams.

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