Housewife (2017) – Interview with David Sakurai

David Sakurai Talks Diversity, the Inspiration of Jim Morrison, and Housewife

David Sakurai’s Headshot courtesy of his Instagram Page (@davidsakurai)

By Christopher M. Rzigalinski

There are many indirect paths to Hollywood. David Sakurai may be playing Krall in Fantastic Beasts: The Crimes of Grindelwald later this year, but his journey to mainstream notoriety within the Harry Potter universe was cemented by his pivotal performance as Bruce O’Hara in last year’s Housewife.

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Review – Terrifier (2017) **31 Days of Horror**

Happy October! We’re kicking off ’31 Days of Horror’ with Damien Leone’s Terrifier now streaming on Netflix.

“A maniacal clown terrorizes three young women on Halloween night and everyone else who stands in his way.”

#31DaysofHorror #Horror #October2018 #Halloween

 

Review – Mission: Impossible Fallout (2018)

by Old King Clancy

The run-up for Mission Impossible: Fallout put the film in a very interesting position and not just because of the moustache fiasco – for the first time in the franchise’s history there was a direct sequel with the same director returning. Given the success of the franchise so far it’s unsurprising that they would try something different to keep things fresh and while I don’t agree that this is the best Mission to date, Fallout does prove that long-form storytelling might be in the series future.

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Review – BlacKkKlansman (2018)

by Armando Vanegas

It’s a been a bittersweet time in this country that’s been mostly bitter in ways thanks to the current political state here in America. However, part of what’s been sweet about this year is that whether it’s coincidence or not, a lot of black voices have been able to get a chance to express themselves in such original ways as Black Panther, Sorry to Bother You, Atlanta, and now Spike Lee’s BlacKkKlansman. For the most part, Lee succeeds with what he attempts to put on the screen. It’s a Spike Lee movie so you can definitely say that it’s not boring. The plot of the movie concerning Colorado Springs’ first black police officer in the 1970’s posing as a prospective KKK member who then recruits a Jewish officer to pose as the member in person to infiltrate the Klan. This is pretty unusual and to the movie’s credit, it does a lot with it by using it as a springboard to comment on recent political issues or social commentary that concerns the black community that may have been said before, but needs to reiterated for those who still aren’t able to get the message. For the most part, it never bothered me because it seems to come from a genuine place. While Lee is still Lee, this seem to be more mature and relatively calm to his other movies in its approach to its many ideas. It’s still very ambitious and maybe has too much to say. But it’s at least got some verve to it that I admire for bringing something to the table that will inspire some great food for thought, while simultaneously being an entertaining time at the movies.

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Retro Review – Un Chien Andalou (1929)

Nile Fortner is back with the Retro Review series to review the 1929 short film, Un Chien Andalou.

Synopsis:
“In a surrealistic film with input from Salvador Dalí, director Luis Buñuel presents stark, surrealistic images including the slitting open of a woman’s eye and a dead horse being pulled along on top of a piano. A mysterious film open to interpretations ranging from deep to completely meaningless, this short (17-minute) film certainly presented something new in the cinema of its day.”