Review – The Amityville Murders (2019)

Logan Myerz reviews the newest entry in ‘The Amityville Horror‘ franchise, ‘The Amityville Murders.’ The film hits theaters, On Demand, and Digital today!

#TheAmityvilleMurders #MovieReview #Horror

“On the night of November 13, 1974, Ronald DeFeo, Jr. took a high-powered rifle and murdered his entire family as they slept. At his trial, DeFeo claimed that “voices” in the house commanded him to kill. This is their story.”

Cinephellas Podcast – Episode 26 (Interview with Diane Franklin)

On this episode of Cinephellas Podcast, we interviewed the talented Diane Franklin (Better Off Dead/Bill &Ted ) about her role in the new horror film, The Amityville Murders. This is her second time in the The Amityville Horror franchise and she shares her experience getting cast in the film, the real Amityville House, and her upcoming projects.

THE AMITYVILLE MURDERS hits theaters, On Demand, and Digital today!

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Review – Glass (2019)

by Armando Vanegas

M. Night Shyamalan is known for doing two things: taking risks and disappointing people with said risks. But more often than not, his hits and his misses can be interesting to vastly varying degrees. Honestly, I don’t know if I would’ve been as interested to see his new movie Glass if I didn’t see such a mixed reaction on it just because of how strong the reaction varied from masterpiece to complete dumpster fire. I even remember seeing one of his previous movies,The Village, having more or less the same kind of reaction and watching that movie is quite a ride. While it’s not a masterpiece, it was still compelling despite knowing the reveal because at least Shyamalan took chances with the material. But Glass has the advantage of being a sort of sequel to Unbreakable, a movie I remember really enjoying. Hopefully, this will mean Bruce Willis is going to decide to give a shit this time around. I wasn’t the biggest fan of Split and it seems like this is going to be a significant part of this sort of Unbreakable sequel, but the trailer looked interesting and the mixed reviews had me intrigued so let’s see.

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Review – The Man Who Killed Hitler and Then The Bigfoot (2019)

by Old King Clancy

There’s a lot of value in a name, if I see a movie called Hobo With A Shotgun, I know that I’m probably in for something violent, something ridiculous, and something fun. Or if I see a movie called 2 Fast 2 Furious, I know it’s probably “Dude-Bro Dog-Shit.” So when I got the chance to watch a movie called The Man Who Killed Hitler And Then The Bigfoot, I had all kinds of B-Movie ideas in my head about what it could be. To my surprise, the film is actually a reflective look on one man’s amazing life and the decidable un-amazing place he’s found himself in his old age. And I’m not sure how I feel about that, it’s not that the film wasn’t what I was expecting it to be, and the film itself didn’t know what it wanted to be.

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Review – Glass (2019)

by Kevin Muller

Almost 19 years ago, M. Night Shyamalan, followed up his critical, and hugely successful, The Sixth Sense, with a film called Unbreakable. It divided audiences with its serious approach that it took to the comic book lore. Some thought it was pretentious dribble, while others thought it had such brilliance and approached medium in a unique way. For years, Shyamalan teased a sequel to it, but nothing ever developed. Instead, he produced a decade of films that both flopped and were hated by audiences. No one will be able to imagine mother nature and Mark Wahlberg together without laughing.   Then, in 2017, he gave us a new film called Split. It was about a group of girls being abducted by a mad man with multiple personalities, named Kevin Wendell Crumb, or the Horde, who were trying to escape before it was too late. James McAvoy, brilliantly played the antagonist, and it seemed that Shyamalan remembered how to direct a masterful thriller. Then, the ending happened, and you could hear the collective gasps from everyone as it was revealed that this was the sequel to Unbreakable that we had been waiting for. As Bruce Willis’s character, David Dunn, sat at a diner counter top with the theme song from the original film, he now understood that the city of Philadelphia had to be protected, and he had to take down this new threat. After all these years, was it worth the wait?

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Review – The Endless (2017)

by Old King Clancy

A few years ago there was little sci-fi horror flick called Resolution, the first film from filmmakers Justin Benson and Aaron Moorhead. I checked it out recently after realizing it was a semi-prequel to their latest work, The Endless. Resolution was a strange, slow-burning movie that revealed itself to be based around dealing with repeating time-loops and the blurring of each new reality. I enjoyed the film, but I did not come anywhere close to understanding it. By contrast, The Endless not only expands upon these ideas, but gives greater context to what’s been happening across both films. It’s still strange and confusing, but in a more digestible way.

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Review – Widows (2018)

by Armando Vanegas

Steve McQueen’s Widows is a very entertaining time as it feels like a throwback to the older dramas that used to be a big deal before superhero movies and franchises were a thing. If you want to see great actors doing their thing while a great director does his best job at being artful while being contained in a mainstream bubble, then this is the movie for you. A lot of the ads made this look like a big action-packed heist movie and just know that it’s not that. If you’ve seen any of McQueen’s other movies, you know what to expect from him here. It’s more of a slow burn character study about how three women are forced to break out of their shells created by their now deceased husbands through their crimes by way of financial stability. While that might seem heavy, it’s engrossing from beginning to end thanks to great performances and McQueen’s directing.

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