Review – Glass (2019)

by Kevin Muller

Almost 19 years ago, M. Night Shyamalan, followed up his critical, and hugely successful, The Sixth Sense, with a film called Unbreakable. It divided audiences with its serious approach that it took to the comic book lore. Some thought it was pretentious dribble, while others thought it had such brilliance and approached medium in a unique way. For years, Shyamalan teased a sequel to it, but nothing ever developed. Instead, he produced a decade of films that both flopped and were hated by audiences. No one will be able to imagine mother nature and Mark Wahlberg together without laughing.   Then, in 2017, he gave us a new film called Split. It was about a group of girls being abducted by a mad man with multiple personalities, named Kevin Wendell Crumb, or the Horde, who were trying to escape before it was too late. James McAvoy, brilliantly played the antagonist, and it seemed that Shyamalan remembered how to direct a masterful thriller. Then, the ending happened, and you could hear the collective gasps from everyone as it was revealed that this was the sequel to Unbreakable that we had been waiting for. As Bruce Willis’s character, David Dunn, sat at a diner counter top with the theme song from the original film, he now understood that the city of Philadelphia had to be protected, and he had to take down this new threat. After all these years, was it worth the wait?

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Review – Camp Death III in 2D! (2019)

Logan Myerz returns from Camp Crystal Meth to review Matt Frame’s horror parody film Camp Death III in 2D! The film will be released on Amazon Prime on February 15th.

#CampDeathIIIin2D #MovieReview #HorrorMovies #horror

”Camp Death III in 2D’ is a comedy/horror parody of ‘Friday the 13th Part III in 3D’ and is proudly presented in two dimensions.”

Review – The Endless (2017)

by Old King Clancy

A few years ago there was little sci-fi horror flick called Resolution, the first film from filmmakers Justin Benson and Aaron Moorhead. I checked it out recently after realizing it was a semi-prequel to their latest work, The Endless. Resolution was a strange, slow-burning movie that revealed itself to be based around dealing with repeating time-loops and the blurring of each new reality. I enjoyed the film, but I did not come anywhere close to understanding it. By contrast, The Endless not only expands upon these ideas, but gives greater context to what’s been happening across both films. It’s still strange and confusing, but in a more digestible way.

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Review – Widows (2018)

by Armando Vanegas

Steve McQueen’s Widows is a very entertaining time as it feels like a throwback to the older dramas that used to be a big deal before superhero movies and franchises were a thing. If you want to see great actors doing their thing while a great director does his best job at being artful while being contained in a mainstream bubble, then this is the movie for you. A lot of the ads made this look like a big action-packed heist movie and just know that it’s not that. If you’ve seen any of McQueen’s other movies, you know what to expect from him here. It’s more of a slow burn character study about how three women are forced to break out of their shells created by their now deceased husbands through their crimes by way of financial stability. While that might seem heavy, it’s engrossing from beginning to end thanks to great performances and McQueen’s directing.

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Review – Fantastic Beasts: The Crimes of Grindelwald (2018)

by Armando Vanegas

For as financially and culturally successful as the Harry Potter books and movies were, the first Fantastic Beasts movie seemed to have the shelf life of a forgettable CBS procedural, which might actually be redundant. It was somehow really successful but it seems to not really have any cultural relevance. Like I remember seeing it, but in the words of one of my favorite podcasts, Blank Check with Griffin and David, it’s not a movie that exists. This theory is also supported by the fact that that no one else seems to ever talk about it enough to stand out in anyone’s memory. Aside from the beasts, Colin Farrell as the villain, and Dan Fogler as Jacob, I’m hard pressed to find anything that stood out in that previous movie.

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