Review – Toy Story 4 & Aladdin (2019)

by Kevin Muller

It may seem that Disney is becoming a juggernaut of the film industry by buying every single part of Hollywood, but they have always been the forerunner in family entertainment. In the 90’s, they were the King of the animation field with classics such as The Little Mermaid, Mulan, and Beauty and the Beast. The latter was the first animated film to be nominated for “Best Picture” when the nomination pool only allowed five films. There was also The Lion King, which will soon have a photo-realistic remake that will have its own review, instead of a shared one. Personally, Aladdin was always a favorite, mainly due to Robin Williams’s legendary turn as the lovable Genie. On top of that, the film also had catchy songs and overall fast and frantic attitude.   Unfortunately, shortly after that film delighted audiences, the downfall of hand drawn animation was about to begin with Disney teaming up with a new company called Pixar. We all know outcome of that merger, but it was 1995’s Toy Story that changed the game forever. Now, both these 90’s properties are back to see what they can do with better technology and an even wider audience.

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Review – Little Monsters (2019): Fantasia International Film Festival!

by Vincent Leblanc

It’s Day 2 of the Fantasia International Film Festival  and I started the evening with the Quebec Premiere of the Australian zombie comedy Little Monsters. It had its World Premiere at the Sundance Film Festival in their Midnight Program back in January. It then went on to play at SXSW and the Calgary Underground Film Festival. The film was written and directed by Abe Forsythe and stars Lupita Nyong’o, Alexander England, and Josh Gad.

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Review – Crawl (2019)

Logan Myerz survived his two biggest fears, Gators and Florida, in his review of Crawl. The film is chomping it’s way into theaters everywhere!

#Crawl #CrawlMovie #MovieReview

“A young woman, while attempting to save her father during a Category 5 hurricane, finds herself trapped in a flooding house and must fight for her life against alligators.”

 

Review – Brightburn (2019)

by Armando Vanegas

Brightburn tries to present something that surprisingly hasn’t become a movie in this superhero-obsessed culture we now live in. What if Superman was evil? There’s a lot to do with this premise as villains are usually more interesting than the heroes in terms of their backstory and motivations. The movie follows Brandon Breyer, a seemingly perfectly behaved young boy who deals with new feelings and emotions when he turns 12 after he develops superpowers out of nowhere. Things get tense in the town as Brandon begins to cause trouble by attacking other people with his powers.

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LETO (2019) – Interview with Michael and Lily Idov

by Logan Myerz

It’s officially the first day of Summer and there’s no better way to celebrate the hottest season of the year than watching the new film Leto. The films title which is Russian for “summer,” tackles a rock ‘n’ roll daydream based on the early days of the famous Soviet-Korean musician Viktor Tsoi, his musician friend Mike Naumenko, and Mike’s wife Natalia. This creates a somewhat complex music love triangle between the three individuals that adds substance to the early 80’s Soviet music scene. The black and white frames used in the film is painted beautifully to describe youth, rebellion, freedom, love, and the oppression that was occurring at that time in the Soviet Union.

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