by Old King Clancy
With the over-reliance on Rotten Tomatoes in recent years and everything being picked apart for its political standing (or lack thereof) it seems a lot of people have forgotten that not every film needs a message, some can just be an escape from reality to live out your dreams. Those dreams can be of being the strongest man in the world, or of visiting the furthest reaches of space, or in the case of Mayhem, of watching white-collar assholes get brutally murdered. And honestly, that’s all it needed to be.
Happy October! We’re kicking off ’31 Days of Horror’ with Damien Leone’s Terrifier now streaming on Netflix.
“A maniacal clown terrorizes three young women on Halloween night and everyone else who stands in his way.”
#31DaysofHorror #Horror #October2018 #Halloween
by Armando Vanegas
Shows that come back from a long hiatus can be tricky because you don’t know how it will be perceived and it’s hard to know if it will have the same impact that it did with viewers from years ago. The other thing to consider is that people change and as a result, feelings and sensibilities change. This seems to be a big part of what co-creators David Lynch and Mark Frost were aware of coming into this new season of Twin Peaks, also known as Twin Peaks: The Return, as it seems to have a somewhat different feel from the original series. Whereas the old show contained lots of intentional soap opera satirical aesthetics, these new episodes have a more experimental and esoteric feel that is more fitting on its new premium cable home, Showtime. As usual with any David Lynch project, you’re not going to be given simple answers and satisfying conclusions. As long as you’re okay with that going in, you’re bound get something out of this. It’s not exactly a fun watch, but it gives you something to chew on even if it can be hard to wrap your head around at times thanks to the trademark surrealism on display.
Director Casey Tebo Talks Inspiration, the Rebirth of Steven Tyler, and Out on a Limb
Director Casey Tebo (left) and Steven Tyler (right) at the 2018 Nashville Film Festival
By Christopher M. Rzigalinski
A 45 year-old male audience member once asked English writer and actor Quentin Crisp what he should do about his thinning hair. “Shave your head. This is the principle on which [style] works. You are losing your hair. So you embrace the loss of your hair. You swim with the tide, but faster,” Crisp responded. “Embrace what you alone have.” I’ve always considered this argument to be the most effective defense against aging. Director Casey Tebo’s film called Steven Tyler: Out on a Limb (2018) proves that, at the age of 70, the Aerosmith frontman is just beginning to find his greatest inspiration.
Logan Myerz reviews McG’s Horror/Comedy The Babysitter that is currently available on Netflix.
Friendship, Childhood, and Guns in the Post-Columbine Era
Director Vincent Grashaw Discuss And Then I Go
By Christopher M. Rzigalinski
How far would you go for your best friend? If they were the only person in the world to which you felt connected, would you let anything jeopardize that bond? Would you sacrifice your own life to make them happy? Director Vincent Grashaw uses the United States cultural epidemic of school shootings to examine the roots and depths of friendship in his latest project, And Then I Go (2017). But he was quick to point out that this film is not about topical tragedies; rather, mass shootings by disaffected young boys are treated as manifestations of a broken society.