Review – Raw (2016)

by Old King Clancy

I’ve mentioned before – several times in fact – that I love modern French horror, ‘Martyrs’ is an all-time favorite of mine and ‘Inside’ had messed me up more times than I care to think of. So when news of ‘Raw’ came out with people fainting in the theater, I knew I had to see it. Those fainting rumors turned out to be exaggerated, but I still had high hopes for this to deliver and it more than did so. This is easily the best French cannibal sex movie I’ve seen all year and a near definite for my ‘Top 10’ of 2017.

The film opens with protagonist Justine (Garance Marillier) starting her first year at Veterinary school, the same school her sister Alexia  (Ella Rumpf) is currently studying. Justine is a quiet, shy bookworm, and firm vegetarian who struggles with the school heavy use of hard music and harder partying. During the intense hazing rituals Justine is forced to eat raw rabbit kidney and almost immediately has a violent allergic reaction to it with a bad rash breaking out onto her body. However, something changes inside Justine and she soon finds herself with a hunger for meat.

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You’ll Float with IT in September!

by Kevin Muller

The road for Pennywise to have his day in the sun, or lurking around in the sewers, hasn’t been an easy one.   For years, the project had “floated” around with no hope of every gracing the silver screen.   After his success of the incredible 2014 “True Detective,” Cary Fukanaga soon boarded the project that he aimed for a 2016 release.   Cary and the studio constantly clashed over the tone of the Stephen King novel.   Cary wanted to do more of a slow burn film, while the studio wanted to, as Cary put it, make a typical jump scare horror film.   In a later article, I will review the screenplay that he originally wrote with Chase Palmer that was a dated 2014 script.   Soon after his departure, Andres (Andy) Muschetti, stepped into the director’s chair.   His 2013 film “Mama” wasn’t my favorite film but he seemed serious on bringing something good to this material.

Our first glimpse of Pennywise came back last summer with a facial shot of the character.  Then a few months later an official full body pose came out.  The one thing that stuck out about this interpretation of the murderous clown is that the wardrobe looked like it was from another century.  In actuality that is true of the novel’s presentation of him.   He has been here for hundreds of years and became a clown during the Victorian age.   Muschetti had already nailed the look of the character. Some people were and are still iffy about how the costume will look in motion.    Well, the poster and trailer have been released and I think we are in for one hell of a ride

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Review – Free Fire (2016)

by Old King Clancy

I’ve been a fan of Ben Wheatley ever since ‘A Field In England’ blew my mind to such a degree that I still can’t properly define the experience. To that end I think it’s safe to say that Free Fire is his most commercial film to date. Actually that sounds way too pretentious, basically this is the first Wheatley film I’ve seen that doesn’t feel like a Wheatley film, but that doesn’t make it a bad film. Free Fire takes the Reservoir Dogs formula of greedy idiots with guns stuck in a warehouse and rolls with it, ending up with a fun and energetic little piece that brings out a great ensemble piece.

Set in 1970s Boston, the film finds two IRA members, Chris (Cillian Murphy) and Frank (Michael Smiley), teaming up with Frank’s junkie brother-in-law Steve-O (Sam Riley)and his friend Bernie (Enzo Cilenti)to help buy guns from South African arms dealer Vernon (Shalto Copley) and his partners; ex-black panther Martin (Babou Ceesay)and dope-smoking middle-man Ord (Armie Hammer) with third-party Justine (Brie Larson) acting as intermediary. To Frank’s anger, Steve-O got into a fight earlier that day and has been left with a black eye.

The deal goes down but not without its problems, Frank is openly hostile to Ord, Vernon’s ego gets in the way and Chris claims that the guns being sold to him aren’t what he ordered. Despite the hostilities a deal is made and money switches hands, that is until Steve-O realises that Vernon’s driver Harry (Jack Reynor) is the man who beat him up earlier that day for bottling Harry’s cousin after she wouldn’t put out. The already on-edge deal gets put under even more pressure when Steve-O brags to Harry about what he did, forcing Harry to fire the first bullet.

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Rogue One: A Star Wars Story is released on Blu-Ray Today!

 

From Lucasfilm comes the first of the Star Wars standalone films, “Rogue One: A Star Wars Story,” an all-new epic adventure. In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.

The home video release includes never-before-seen Rogue One bonus material that aims to take fans behind the scenes with the cast and filmmakers and includes an intimate collection of stories reveals how the film came to life, as well as hidden Easter Eggs and film facts that audiences may have missed in the theater.

Behind-the-scenes interviews and footage are cut together into a series of ten short featurettes:

  • A Rogue Idea – Hear how ILM’s John Knoll came up with the movie’s concept – and why it’s the right film to launch the Star Wars stand-alone films.
  • Jyn: The Rebel – Get to know Rogue One’s defiant, resourceful survivor, and hear what it was like for Felicity Jones to bring her to life onscreen.
  • Cassian: The Spy – Diego Luna shares insights into his complex, driven character, who becomes a hero through selflessness, perseverance and passion.
  • K-2SO: The Droid – Explore the development of this reprogrammed Imperial droid, from initial pitch and character design through Alan Tudyk’s performance.
  • Baze & Chirrut: Guardians of the Whills – Go deeper into the relationship between these two very different characters, with Chinese superstars Jiang Wen and Donnie Yen.
  • Bodhi & Saw: The Pilot & The Revolutionary – Forest Whitaker and Riz Ahmed reflect on Saw Gerrera, the broken Rebel leader, and Bodhi Rook, the Imperial pilot who defects.
  • The Empire – Meet a dangerous new Imperial adversary…and cross paths once more with the most iconic villain of all time.
  • Visions of Hope: The Look of “Rogue One” – The filmmakers describe the challenges and thrills of developing a bold new look for the movie that can fit within the world of the original trilogy.
  • The Princess & The Governor – See what it took to bring the vibrant young princess of “Star Wars: A New Hope” – as well as one of her most memorable foes – back to the screen.
  • Epilogue: The Story Continues – Filmmakers and cast celebrate Rogue One’s premiere and look forward into the future, to the Star Wars stories yet to be told.
  • Rogue Connections – Uncover Easter eggs and film facts hidden throughout the movie that connect “Rogue One” to the Star Wars universe.

Review – Life (2017)

by Nile Fortner

Is This Sci-fi Film Recycling Other Sci-fi Films?

Life’ is science fiction thriller, starring Jake Gyllenhaal (Nightcrawler, Southpaw), Ryan Reynolds (Safe House, Deadpool), and Rebecca Ferguson (Mission: Impossible – Rogue Nation, The Girl on the Train). No, this movie isn’t a remake or re-imagining of the 1999 Eddie Murphy and Martin Lawrence movie of the same name. So don’t expect to see Murphy fighting over some cornbread in space or anything like that.But you can expect to see six astronauts that aboard a space station, and they discover something we’ve all been wondering since the dawn of human history. They discover new life, they discover life in a galaxy far far away, they discover extraterrestrial life on Mars.

These members of the space station name this new life force, Calvin. As these astronauts conduct research on Calvin, gather data, and all that science mumbo jumbo. They realize Calvin is evolving rapidly, gaining strength, and learning at a very alarming rate. It turns out Calvin’s life may be more intelligent and terrifying than anyone could have ever imagined.  If this movie feels familiar, it just might be. Many people saw this trailer, and said to themselves, “Why are you reenacting the script of ‘Aliens’?” While watching this movie, just from the trailer alone, you feel a vibe of other science fiction films you’ve seen before.

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Good to the Last Fry! The Founder – Review (2017)

Image result for the founder movie poster

by Chris Rzigalinksi

Ray Kroc, the McDonald’s Corporation Founder and former CEO, is a pivotal yet obscure figure to the billions of people around the world that eat at his restaurant every day. His legacy is finally explored in a major motion picture with John Lee Hancock’s The Founder (2016). Michael Keaton follows award-winning performances in Birdman and Spotlight with a stunning take on Kroc that both shows the man as a product of his time and as someone constantly trying to transcend its limitations. Keaton’s finest talent as an actor is to bleed dry the unlikable qualities of his characters and locate their last remaining bits of redeeming integrity. He transforms writer Robert Siegel’s story from a script to a pilgrimage about an enigmatic visionary, who, to paraphrase Kroc’s famous words, was in the right place at the right time and did something about it.

 

The Founder gives us a deeper understanding of Ray Kroc by depicting him as a product of mid-20th century aspiration. Mobility is the major theme of the film, in both the physical and financial senses. We first meet Kroc as a milkshake machine salesman crisscrossing the United States in 1954. It’s important to remember the context of this moment in history. Nine years after World War II ended, America was an affluent nation. Government funding like the G.I. Bill helped returning soldiers afford college educations, stable homes, and reliable automobiles. Suburban communities sprang up across the nation. And the Federal Aid Highway Act would be signed by President Dwight Eisenhower in two short years. Cars and the freedom they afforded were the linchpin of this cultural revolution. Ray’s recognized that Americans were living at a faster pace and that food service had to keep up.

 

That awareness draws him to the McDonald brothers in San Bernardino, California. Dick, played by Parks and Recreation he-man Nick Offerman, and Mac, played by John Carroll Lynch, probably most recognizable for his roles in American Horror Story and TURN: Washington’s Spies, wow Kroc with their signature Speedy System. Derived from Henry Ford’s Model T assembly line process, the Speedy System dispenses with all wasted motion and turns out the most hamburgers possible per batch. A complete meal consisting of a hamburger, an order or french fries, and a Coke took only an astounding 30 seconds to reach customers’ hands. As the McDonald brothers explain their research methods to Ray, that wide-eyed mischievous Beetlejuice gaze creeps into Keaton’s eyes. The combination of innocence and calculation is Ray Kroc. We get to discover him along with Keaton through that one gesture.

 

In what I believe to be the most poignant scene of the film, Ray goes to a movie theater to see On the Waterfront, the 1954 Marlon Brando classic. The implicit reference is to Brando’s “Terry” lamenting his failed boxing career. We don’t hear the famous lines, “I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let’s face it,” but the silent association with worrying about failure is even more powerful. We root for Ray to prevail. He goes back to the brothers with a powerful vision: McDonald’s as the next American church; the Golden Arches becoming just as iconic as Old Glory.

 

As a business venture hatches, we get to know the complexity of Ray Kroc. His vision is to franchise, franchise, and franchise. His drive to open the first McDonald’s in Illinois leads to a desire for expansion across the midwest. The brothers see this as overreaching, and it’s not long until conflict develops. Ray worries he can’t possibly stay true to the brothers’ core standards and still create a fast food empire. That’s when Kroc’s story really begins. Our trust in Ray is compromised by a series of decisions that blur the lines of ambition and exploitation. In the hands of any other actor, the character might become repulsive. However, Michael Keaton’s genius keeps us invested, like we were plunging into the empty box for that one last french fry.
The Founder deals with ethical issues like the value of a name, treatment of concepts versus people, and the struggle for self-preservation. It’s especially relevant in 2017, when our president’s ego-maniacal personality and take-no-prisoners business ethic helped him earn a seat in the White House. Michael Keaton pulls off the role with help from great performances by Laura Dern as his neglected wife, Linda Cardellini as his inspiration, and BJ Novak as the financial advisor that enabled his fortune. I give The Founder 5 out of 5 hairpieces. It’s a well-done biopic that educates us about an important pop culture phenomenon and remains entertaining from title to credits. Check it out in theaters now, and feel free to sneak in a Big Mac.

Review – Moonlight (2016)

Image result for moonlight movie poster

by Old King Clancy

There’s a strange dichotomy in today’s society, while we’re a lot more open towards gender, race and sexuality and allowing people of all types to come forward and be who they are without judgement, there’s another side of us that hates this to the point of murdering anyone who is openly different. With the Black Lives Matter movement in America and the Orlando shooting last year the decision to be yourself as a black or gay individual comes with the threat that people out there want to hurt you for something you have no control over, so do you make that choice, do you be who you want to be, or do you hide away and hope nobody sees through your armour.

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