Review – Man in the Camo Jacket (2017)

Declaring Yourself: A Review of Man in the Camo Jacket

By Christopher M. Rzigalinski

Declare yourself an unsafe building.” I can’t get that line from The Alarm’s 1981 debut single, “Unsafe Building,” out of my head. The lyric and its sentiment of acknowledging weakness in order to rebuild are the strongest threads through Man in the Camo Jacket, director Russ Kendall’s documentary about Alarm frontman-turned-solo artist Mike Peters. The film could have easily focused on Peters’ rich musical career. But it transcends the predictable Behind the Music-style drama of many music documentaries to become a portrait of hope. We are privileged to tag along on Mike’s several journeys of reinvention, from resurrecting his career after leaving the Alarm to his battles with cancer. The first step toward any reinvention, we learn from Mike, is having the strength to let yourself fall apart.

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Review – Spider-Man: Homecoming (2017)

by Old King Clancy

Marvel introducing Spider-Man in Civil War was a big step and allowed them to introduce their version of one of the most popular characters in this Universe. Now with his own movie in the MCU, thankfully it isn’t an origin story again. In Homecoming, Spidey proves why his inclusion to the MCU was the best move for the character, and Tom Holland sets himself up as arguably the best incarnations of the web-slinger.

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Review – Pilgrimage (2017) Edinburgh Film Festival

by Old King Clancy

The nature of films, and indeed all media, means that comparisons are almost inevitable and it’s important to remember that just because a film isn’t as good as a similar films, that doesn’t mean it itself is a bad film. Case in point, Pilgrimage comes across as a mix between Valhalla Rising and Silence,  without the visual trip of the former or the heaviness of the latter, but still within it’s own rights is an enjoyable and interesting examination of faith.

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LEVEL 33 ENTERTAINMENT ANNOUNCES RELEASE OF GRANNY OF THE DEAD!

GRANNY OF THE DEAD 

 NEW HORROR MOVIE BROUGHT TO YOU BY THE DIRECTOR OF SHARKNADO

Level 33 Entertainment announced today the official release of award-winning horror film GRANNY OF THE DEAD in the United States and Canada.  The film stars Marcus Carroll (Monstrum), Abigail Hamilton (The HatchingLet’s Be Frank), Oliver Ferriman (“Torchwood”), William Huw (Ferris & The Fancy Pigeon), and Sabrina Dickens (Is This Now, Cruel Summer). GRANNY OF THE DEAD hits select theaters and all On Demand platforms including Amazon, DISH, iTunes, Google Play, Microsoft, Verizon FIOS and VUDU beginning on July 14, 2017.

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Review – Killing Ground (2017) Edinburgh Film Festival

by Old King Clancy

I’m gonna take some cues from Walter White and tread lightly on this review, part of what makes Killing Ground so great is how it utilizes a unique narrative technique in order to tell its story. In doing so, allow itself to hit some really disturbing and sickening moments that other horror films wouldn’t go near. This is gonna be a must for genre fans, but go in blind to get the full effect of what the film wants to put you through.

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Review – The Dark Mile (2017) Edinburgh Film Festival

by Old King Clancy

At the time of writing I’ve sat on The Dark Mile for just over a full day trying to work out my thoughts on the film. Not that I didn’t like it, in fact, it’s probably the best film I’ve seen at this year’s Festival so far. It’s an experience that I guarantee will piss a lot of people off and trying to recommend it is going to prove difficult, due to the film’s own encouragement that “the less you know the better.”

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Cinephellas Podcast – Episode 13 (Interview with Matt Schrader)

Complementary Rhythms: A Conversation with Matt Schrader

By Christopher M. Rzigalinski

On this episode of the Cinephellas Podcast we have my conversation with Matt Schrader, making his directorial debut with Score: A Film Music Documentary. Matt provides keen insight into how this film was made. We discuss how his previous career as a major network news producer influenced his approach to directing, his favorite cinematic memories, and the difficulties of making a fact-based documentary in the era of Fake News. The conversation made me want to see the movie ten more times; I hope it gets you excited, too.

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