Review – The Cloverfield Paradox

by Armando Vanegas

The Cloverfield movie series is such an interesting blank check franchise because there’s no shortage of good ideas by making this an anthology series as it gives more freedom for whatever stories that the filmmakers want to tell. I would have been fine if this was one movie about a monster attacking a city but they decided to expand on this and made a great followup in 10 Cloverfield Lane.

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Review – Ready Player One (2018)

by Colby Sanchez

The year is 2045. Wade Watts lives with his aunt and her deadbeat boyfriend in shady part of Columbus, Ohio. Like most of his peers, Wade spends most his time fleeing from his problems by getting lost in a virtual reality called the OASIS. The game was created by the late James Halliday. The objective of the game is to obtain 3 keys that lead to a prize, granting the winner Halliday’s fortune, and complete ownership over the OASIS. Teaming up with his friends, the High Five, Watts goes on the biggest Easter egg hunt of his life.

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Review – Annihilation (2018)

by Old King Clancy

As a writer, Alex Garland has had a hand in some of the best sci-fi of the 21st Century with 28 Days Later, Sunshine, and Dredd under his belt. He continued that trend into his directorial debut, Ex_Machina, which ended up as my top film for that year. When his latest film, Annihilation, got in the news for being considering too ‘smart’ for the average audience and sent straight to Netflix everywhere except the US, Canada, and China, you couldn’t help but wonder exactly how smart Garland had made his film. Especially, when you factor in that both Garland and one of the producers refused to bow into the studio demands to dumb the movie down.

Having now finally seen it, I’m glad Garland stuck to his guns because Annihilation is one of the most unapologetic cases of Hard Sci-Fi I’ve seen for a while.

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The Best and Worst Movies of 2017

by Kevin Muller

The Worst Films of 2017

10. Suburbicon

George Clooney took a shot at directing a film that was scripted by the Coen Brothers.  Unfortunately, the groundwork laid by the brothers wasn’t strong enough for Clooney to make a good film. It is spectacular failure. The first half of the film leads us through an interesting story that drops the ball in the second half. Clooney decided to combine an unproduced script, a crime film, and the true story of a black family living in a white suburb, into one movie. The problem is that both scripts have totally different tones and themes that could’ve worked if they had their own movie, but by mashing them together, it created a narrative mess that you can’t pinpoint where it starts and ends.

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