Review – Hereditary (2018)

by Old King Clancy

I’ve mentioned before that every year there seems to be one breakout horror film that critics rave about. Over the last five years, we’ve had The Babadook, It Follows, The Witch, Get Out, and now with Hereditary standing out as 2018’s  landmark horror movie. Another connection between the films is that I’ve ended up loving them all and Hereditary is one of the best to date.

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Review – Twin Peaks (Seasons 1 + 2)

by Armando Vanegas

Twin Peaks had to be interesting to see back in 1990. It was at a time when TV largely stayed in their lanes and never threatened to disturb the status quo. But that’s what happens when you get David Lynch, then of Blue Velvet and Wild at Heart, have the audacity to condescend to TV and bring his weird brand of black lodges and dancing little people in small red rooms with striped floors. For a few years now, I’ve been attempting to experience this show and see what makes it special. After all the hype, I heard about the latest revival by Showtime from last summer, I wanted to review the first two seasons and share some thoughts as someone who was completely new to it and was totally out of the loop as this show was way before my time. I also wanted to give it a chance as it’s considered a pioneer of Peak TV and David Lynch has made things that I’ve liked in the past, so I wanted to see what his vision would look like if it was contained in a network TV show.

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Review – Deadpool 2 (2018)

by Armando Vanegas

Ryan Reynolds is back as Deadpool (aka Wade Wilson) in Deadpool 2, the sequel to the hit movie. The good thing is that it’s the same as it was before, but has some more to offer this time around. If you want it to be more than a fun take on the superhero genre and expect something deeper, then you might be disappointed. The movie pretty much does what you expect in terms of it’s humor and style, but it also attempts to be more than that, which works to varying degrees.

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Trailer Premiere – RLJE Films’ ANOTHER WOLFCOP

A year has passed since the dark eclipse transformed hard-drinking Officer Lou Garou (Leo Fafard) into the infamous lycanthrope crime-fighter. Although the evil that controlled Woodhaven was defeated, the community is far from returning to normal. A villainous entrepreneur (Yannick Bisson) is looking to open a new brewery and revive the local hockey team, but it’s clear he has ulterior motives. With a new mayor (Kevin Smith) and the new chief of police (Amy Matysio), WolfCop has his work cut out for him when he has to save the town all over again.

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Review – The Week Of (2018)

by Nile Fortner

Adam Sandler and Chris Rock star in the Netflix Original film The Week Of which reunites the two former Saturday Night Live mega-stars. This is a movie coming from Adam Sandler and it’s part of Sandler’s eight-picture deal with Netflix.

Adam Sandler’s eight-picture deal with Netflix has been mostly negative with the exception of The Meyerowitz Stories, where Adam Sandler shines along with his co-stars Ben Stiller, Emma Thompson, and Dustin Hoffman. The Meyerowitz Stories showed viewers that Sandler has range as an actor and can show us a new side that we do not see very often. It took Sandler out of his comfort zone and away from the mediocre to just straight-up bad material that we’ve been getting from him over the last few years. Unfortunately, The Week Of is Sandler going back to his comfort zone and bad material.

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