Review – Beau is Afraid (2023)

From Ari Aster, the director of Hereditary and Midsommar, comes the A24 nightmare comedy Beau is Afraid. The film takes viewers on a twisted three-hour anxiety filled journey with Joaquin Phoenix playing the main character Beau Wasserman. Watch our review of the film as we discuss the film in all it’s wild glory.

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“Following the sudden death of his mother, a mild-mannered but anxiety-ridden man confronts his darkest fears as he embarks on an epic, Kafkaesque odyssey back home.”

Review – Saint Maud (2020)

Scarborough has a starring role in hit horror movie Saint Maud | The Scarborough News

Those wild Catholicism enthusiasts are back to review A24‘s newest film Saint Maud that’s written/directed by Rose Glass and starring Morfydd Clark. The film arrives in select theaters & drive-ins on January 29th and will be available to stream on EPIX on February 12th!

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“Follows a pious nurse who becomes dangerously obsessed with saving the soul of her dying patient.”

Top 10 Most Anticipated Fall Films of 2019 !

 

10. Little Women

It has been 25 years since the last big screen adaptation of this popular novel about four sisters dealing with societies expectations of them versus what they want to accomplish in life. Hot off her success of Lady Bird, Greta Gerwig takes on writing and directing duties. Saoirse Ronan, who was nominated for best actress, in that film, takes on the role of the fiercely independent Jo. Also along for the ride are Emma Watson, Florence Pugh, who was seen in two 2019 films, Fighting with My Family, and the insane Midsommar, and Timothee Chalamet, who also starred with Ronan in Lady Bird and gave a brilliant dramatic turn in 2017’s Call me by Your Name. These are young performers who will bring Gerwig’s vision to life. Gerwig can write sharp and sassy dialogue, which will breathe new life into this classic tale.

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Review – Midsommar (2019)

By Kevin Muller

What made Ari Astar’s 2018 film, Hereditary, so chilling was the skilled build up to each scene. Most horror films have no subtlety whatsoever that rely on constant jump scares and the sudden heightening of audio effects. Astar’s movies may move at a snail’s pace, but once the scares kick in, he let’s you sit in the fear, paranoia, and any other negative feeling that conjures up in any given scene. Where his first feature lured in darkness, his new film basks in the sunlight. Does he give us a worthy follow up or fall into a Sophomore slump?

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