Nile shares his love for one of his favorite actresses, Gal Gadot.
film review
Winners of the 43rd Annual Saturn Awards!
ROGUE ONE: A STAR WARS STORY AND 10 CLOVERFIELD LANE LEAD WINNERS AT 43RD ANNUAL SATURN AWARDS
TV Winners Include “Westworld,” “The Walking Dead,” “Riverdale” and “Outlander;” “Bionic Man” Lee Majors, Akiva Goldsman
On behalf of The Academy of Science Fiction, Fantasy and Horror Films, please join us in congratulating all the winners!
BLOOD DYNASTY Release Announcement!
Coming to select streaming platforms this Halloween from Castle Films with a DVD release to follow
Noted film critic (ComingSoon.net), magazine editor (FANGORIA, DELIRIUM), composer (Music for Murder) and filmmaker (Blood for Irina, Female Werewolf, the upcoming Blue Eyes) Chris Alexander’s latest “fever dream” feature film Blood Dynasty will drip exclusively onto select streaming platforms on Halloween 2017 (October 31) from newly minted distributor Castle Films. A DVD release will follow.
Review – The Dark Mile (2017) Edinburgh Film Festival
At the time of writing I’ve sat on The Dark Mile for just over a full day trying to work out my thoughts on the film. Not that I didn’t like it, in fact, it’s probably the best film I’ve seen at this year’s Festival so far. It’s an experience that I guarantee will piss a lot of people off and trying to recommend it is going to prove difficult, due to the film’s own encouragement that “the less you know the better.”
Review – Sweet Virginia (2017) Edinburgh Film Festival
With TV currently in it’s Golden Age, a lot of genres have proven to work better with a long-form series rather than a one-off entry; case in point, crime thriller with the likes of Fargo and Twin Peaks making the most of their extended run-time. I bring this up because while it’s very easy to tell when a movie needs to be cut shorter, new Alaskan thriller Sweet Virginia is one of those rare films that could benefit from being longer.
Review – God’s Own Country (2017) Edinburgh Film Festival
God’s Own Country has been described as Yorkshire’s answer to Brokeback Mountain which I think is doing both films a disservice. Brokeback was more of a period piece, dealing with the love of two men in a society that hated them, whereas God’s Own Country tackled a much more personal story about the love between two men when one of them hates themselves. It tackles self-destruction with a deft hand that evokes Mike Leigh’s work, but with a modern sensibility towards homosexual sex and romance.
Review-It Comes At Night (2017)
by Nile Fortner
This is a movie I have been looking forward to for a very long time. With a title like ‘It Comes at Night,’ the eerie trailers, the visually appealing posters, the A24 entertainment company who made The Witch and Ex Machina (two movies I love), and from all the marketing, I was expecting one of the best horror movies this year. Yay for horror movies! Who doesn’t love a good horror flick, a good spook to the spine every so often? I love horror movies, and it is actually one of my favorite genres. Unfortunately, us “horror heads” don’t get the most original or best treatment in the land of Hollywood. In my opinion, the best horror films lately have been foreign or independent. This is why I was looking forward to this somewhat “small budget under the radar” horror movie.
Camera Obscura: Interview with Director Aaron B. Koontz
Looking Beyond Eyes: An Interview with Aaron B. Koontz
Schedules can be hectic. My flight back to Los Angeles from a wedding in New York and director Aaron B. Koontz’s packed press schedule meant that we couldn’t talk directly. But our good friends at the Katrina Wan Press Agency had our backs. Samantha Arevalo and Camelia Adibi forwarded my questions to Aaron so the Cinephellas community could get some insight into his artistic process, being a first-time director, and why he wanted to tackle Post Traumatic Stress Disorder in the new film Camera Obscura. I’d like to thank Samantha, Camelia, and Aaron for taking time out of their busy schedules, and I hope Aaron’s answers get you as hyped for the movie as I am.
Review-Wonder Woman (2017)
by Nile Fortner
Finally, a movie about the iconic DC Comics character, Wonder Woman has hit the big screen. A character that finally has her own big feature movie, a movie 75 years in the making!
When DC first launched their expanded-cinematic-universe, many fans were not thrilled with the start of this cinematic universe. I personally enjoyed Man of Steel, even though some people argued that Superman was too moody and depressing. That film was followed by Batman v Superman: Dawn of Justice, and fans as well did not react to well to that movie either. I have parts I like about the movie and other parts I can’t stand. I did not like the portrayal of Lex Luthor and how they forced Doomsday into the movie. Suicide Squad had its issues, and many people seemed to give up on DC Comics setting up this expanded-cinematic-universe. Many fans saw Wonder Woman as the last chance for this cinematic universe to work and finally give us a movie in this universe that blows audiences away with action, story, and character development.
The ALIEN Film Franchise and Where It Went Wrong…
by Nile Fortner
Most people who saw the original Alien film directed by one of my all time favorite directors, Ridley Scott (Blade Runner, Thelma and Louise) a horror classic. Not just in the sci-fi and horror department, but in all aspects of film. The first Alien film is more than just a creature feature that pounces out of the dark and kills our characters. It is a film that stands the test of time and considered a classic.
Surprisingly, critics were not all that kind to the film when it hit theaters way back in 1979. The Chicago Reader once described the film as “An empty – headed horror movie, with handsome cinematography.” I personally like most of the Alien films, and I was enthusiastic about the new film in the franchise, Alien: Covenant. However, before I went into this movie, I decided to go back and visit the Alien flicks (that means you too Aliens vs. Predator: Requiem) leading into Covenant.
Cinephellas 