The Lullaby – Interview with Reine Swart

by Nile Fortner

The Lullaby is a 2018 South African horror film directed by Darrell Roodt and written by Tarryn-Tanile. The film centers on a 19-year-old mother named Chloe Heerden, who returns to her hometown, Eden Rock, and tries to embrace the terms of being a mother. Even though Chloe has support from her mother, Ruby, Chloe has the willies and has a difficult time grasping the idea of being a mother.

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Review – The Ballad of Lefty Brown (2018)

by Old King Clancy

While the Western Genre will never see the likes of Sergio Leone or John Ford again, there have been enough great modern Westerns to satisfy the fans, from critically acclaimed pieces like The Revenant and The Assassination of Jesse James to more genre focused flicks such as Bone Tomahawk and 3:10 To Yuma. The Ballad Of Lefty Brown fits more into the latter – there’s definitely an appreciation for the genre and for those more familiar with Westerns a strong execution keeps some of the more familiar elements from feeling stale.

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Mom and Dad – Check out the Official Trailer!

 

On behalf of Momentum Pictures we are pleased to share the official trailer for the highly anticipated horror, comedy MOM AND DAD.

MOM AND DAD stars Oscar winner Nicolas Cage (Leaving Las VegasRaising Arizona), Selma Blair (HellboyCruel Intentions), Anne Winters (“13 Reasons Why,” #RealityHigh), and Zackary Arthur (“Transparent,” The 5th Wave). Written and directed by Brian Taylor (CrankGhost Rider: Spirit of Vengeance), the film marks his first solo effort as a writer.

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Review – Three Billboards Outside of Ebbing, Missouri (2017)

by Kevin Muller

Sit back and buckle up for the wildest ride of the year. Martin McDonagh’s Three Billboards Outside of Ebbing, Missouri is a masterpiece and the writer/director’s best film to date. This is a film with balls that isn’t afraid to offend, while providing us with a story that is as hilarious as it is profound, this one is a true winner.

It has been too much damn time for Mildred, an amazing Frances MacDormand, since the gruesome death of her young teenage daughter, who was raped and burned to death a few months before the film begins. It doesn’t help that the last time they saw each other they had a typical mother/daughter fight that concluded with things said that both did not mean. The police haven’t made any progression on the case that seems to be the afterthought. In an act with desperation and rebellion, Mildred purchases three vacant billboards that sit outside of town. On them, she asks the police, specifically Willoughby, who is perfectly played by Woody Harrelson, why it is taking so damn long to solve the case? While Willoughby is bothered by it, it is a younger, and troubled, officer at his department, Dixon, who really takes it to heart.  Dixon is played with such ferocity by Sam Rockwell. He is a simple minded man, who is the last person who should be an officer of the law. Mildred’s bold move acts as a catalyst, for not only the movie’s plot, but the spirit of the town. Everyone tries to fight her, but she refuses to give up.

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Review – Murder on the Orient Express (2017)

by Kevin Muller

Before comic book films became the craze, the holiday season was reserved for films that had big casts, a large budget, and usually an adaptation of a famous novel. Who doesn’t want to see their favorite stars all together on screen acting with one another?  Murder on the Orient Express has been adapted many times as both a film and a TV production. This time, Shakespearean lover, and the man who brought the mighty Thor to the silver screen, Kenneth Branagh, takes a shot at the famous Agatha Christie murder mystery.

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Review – Thor : Ragnarok (2017)

by Old King Clancy

Since the reviews for Thor: Ragnarok came out and was praised for its humor, it’s been hard not to see people’s complaints about Marvel being too light-hearted and trying to be too funny. I haven’t felt the superhero fatigue that others have yet, but it’s not hard to see why people feel that way. I bring this up because there was talks of Thor: Ragnorok being a reinvention of the MCU leading into Infinity War, and it’s really not in fact. If you’re not on board with the Marvel Model this won’t win you over. What it is in fact, is a funny, colorful, and entertaining movie that has Led Zeppelin on the soundtrack.  Honestly, what more could you want or need?

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