Review – Man in the Camo Jacket (2017)

Declaring Yourself: A Review of Man in the Camo Jacket

By Christopher M. Rzigalinski

Declare yourself an unsafe building.” I can’t get that line from The Alarm’s 1981 debut single, “Unsafe Building,” out of my head. The lyric and its sentiment of acknowledging weakness in order to rebuild are the strongest threads through Man in the Camo Jacket, director Russ Kendall’s documentary about Alarm frontman-turned-solo artist Mike Peters. The film could have easily focused on Peters’ rich musical career. But it transcends the predictable Behind the Music-style drama of many music documentaries to become a portrait of hope. We are privileged to tag along on Mike’s several journeys of reinvention, from resurrecting his career after leaving the Alarm to his battles with cancer. The first step toward any reinvention, we learn from Mike, is having the strength to let yourself fall apart.

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Review – Spider-Man: Homecoming (2017)

by Old King Clancy

Marvel introducing Spider-Man in Civil War was a big step and allowed them to introduce their version of one of the most popular characters in this Universe. Now with his own movie in the MCU, thankfully it isn’t an origin story again. In Homecoming, Spidey proves why his inclusion to the MCU was the best move for the character, and Tom Holland sets himself up as arguably the best incarnations of the web-slinger.

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BLOOD DYNASTY Release Announcement!

Coming to select streaming platforms this Halloween from Castle Films with a DVD release to follow

Noted film critic (ComingSoon.net), magazine editor (FANGORIA, DELIRIUM), composer (Music for Murder) and filmmaker (Blood for Irina, Female Werewolf, the upcoming Blue Eyes) Chris Alexander’s latest “fever dream” feature film Blood Dynasty will drip exclusively onto select streaming platforms on Halloween 2017 (October 31) from newly minted distributor Castle Films.  A DVD release will follow.

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Review – The Dark Mile (2017) Edinburgh Film Festival

by Old King Clancy

At the time of writing I’ve sat on The Dark Mile for just over a full day trying to work out my thoughts on the film. Not that I didn’t like it, in fact, it’s probably the best film I’ve seen at this year’s Festival so far. It’s an experience that I guarantee will piss a lot of people off and trying to recommend it is going to prove difficult, due to the film’s own encouragement that “the less you know the better.”

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Review – Sweet Virginia (2017) Edinburgh Film Festival

by Old King Clancy

With TV currently in it’s Golden Age, a lot of genres have proven to work better with a long-form series rather than a one-off entry; case in point, crime thriller with the likes of Fargo and Twin Peaks making the most of their extended run-time. I bring this up because while it’s very easy to tell when a movie needs to be cut shorter, new Alaskan thriller Sweet Virginia is one of those rare films that could benefit from being longer.

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Review – God’s Own Country (2017) Edinburgh Film Festival

by Old King Clancy

God’s Own Country has been described as Yorkshire’s answer to Brokeback Mountain which I think is doing both films a disservice. Brokeback was more of a period piece, dealing with the love of two men in a society that hated them, whereas God’s Own Country tackled a much more personal story about the love between two men when one of them hates themselves. It tackles self-destruction with a deft hand that evokes Mike Leigh’s work, but with a modern sensibility towards homosexual sex and romance.

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Review-It Comes At Night (2017)

 

by Nile Fortner

This is a movie I have been looking forward to for a very long time. With a title like ‘It Comes at Night,’ the eerie trailers, the visually appealing posters, the A24 entertainment company who made The Witch and Ex Machina (two movies I love), and from all the marketing, I was expecting one of the best horror movies this year. Yay for horror movies! Who doesn’t love a good horror flick, a good spook to the spine every so often? I love horror movies, and it is actually one of my favorite genres. Unfortunately, us “horror heads” don’t get the most original or best treatment in the land of Hollywood. In my opinion, the best horror films lately have been foreign or independent. This is why I was looking forward to this somewhat “small budget under the radar” horror movie.

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