Review – Man in the Camo Jacket (2017)

Declaring Yourself: A Review of Man in the Camo Jacket

By Christopher M. Rzigalinski

Declare yourself an unsafe building.” I can’t get that line from The Alarm’s 1981 debut single, “Unsafe Building,” out of my head. The lyric and its sentiment of acknowledging weakness in order to rebuild are the strongest threads through Man in the Camo Jacket, director Russ Kendall’s documentary about Alarm frontman-turned-solo artist Mike Peters. The film could have easily focused on Peters’ rich musical career. But it transcends the predictable Behind the Music-style drama of many music documentaries to become a portrait of hope. We are privileged to tag along on Mike’s several journeys of reinvention, from resurrecting his career after leaving the Alarm to his battles with cancer. The first step toward any reinvention, we learn from Mike, is having the strength to let yourself fall apart.

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Cinephellas Podcast – Episode 13 (Interview with Matt Schrader)

Complementary Rhythms: A Conversation with Matt Schrader

By Christopher M. Rzigalinski

On this episode of the Cinephellas Podcast we have my conversation with Matt Schrader, making his directorial debut with Score: A Film Music Documentary. Matt provides keen insight into how this film was made. We discuss how his previous career as a major network news producer influenced his approach to directing, his favorite cinematic memories, and the difficulties of making a fact-based documentary in the era of Fake News. The conversation made me want to see the movie ten more times; I hope it gets you excited, too.

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Racing to Live: An Interview with Chuck Rush

By Christopher M. Rzigalinski

In February 2017 NASCAR announced a new partnership with FOX and NBC to increase racing broadcast rights. The agreement ensures major network support of billions of dollars through the 2024 Monster Energy Cup Series. This initiative is not only a push to increase viewership with familiar demographics like the American South. It’s also a plan to develop fan bases across the United States. NASCAR and its cousin, IndyCar, are the most visible manifestations of a motor sports revolution that’s taken America by storm since the 1979 Daytona 500, considered by many to be the most important race in NASCAR history. But that narrative ignores the hidden figures who never achieve multi-million dollar paychecks, corporate sponsorship, or televised glory. They race for the love the sport. Viewers are lucky to get the chance to meet these heroes in Kevin Burroughs’ documentary Smash: Motorized Mayhem, which hits VOD platforms and iTunes today.

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Review – Beware the Slenderman

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by Nile Fortner

So I’m going to get into this review right here. A review of the HBO documentary Beware the Slenderman. Now if you’re like me asking yourself, “Slenderman? Who the hell is Slenderman?” Honestly, I never heard of Slenderman until the two 12-year-old girls murdered their friend as a sacrifice to Slenderman. I remember when someone first told me about Slenderman, and I honestly thought it was a new rapper or trap dance hitting the music scene. Really, I thought someone named Slenderman was dropping an album next week.  I’ve always been a fan of HBO documentaries. Spike Lee’s 4 Little Girls is one of my all time favorite HBO documentaries, and just one of my favorite documentaries in general. However, lately it seems like HBO is creating some damn fine documentaries. HBO’s Beware the Slenderman is about how an urban myth played a role in two girls murdering one of their classmates, one of their friends, and it looks like HBO has delivered another damn fine documentary.

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“Beware the Slenderman” Coming Soon!

BEWARE THE SLENDERMAN, A CHILLING LOOK AT THE INFAMOUS CASE OF

TWO 12-YEAR-OLD WISCONSIN GIRLS WHO STABBED THEIR BEST FRIEND

TO PAY TRIBUTE TO THE FICTIONAL INTERNET LEGEND SLENDERMAN,

DEBUTS JAN. 23 ON HBO

            The news horrified the world: Two 12-year-old American girls lured a friend into the Wisconsin woods and stabbed her 19 times in an effort to appease a faceless mythical entity known online as Slenderman. But there’s more to the story than the dark headlines it generated.

Delving deep into this shocking crime, the sobering documentary BEWARE THE SLENDERMAN examines how an urban myth could take root in impressionable young minds, leading to an unspeakable act, when it debuts MONDAY, JAN. 23 (10:00 p.m.-midnight ET/PT) on HBO.

The documentary will also be available on HBO NOW, HBO GO, HBO On Demand and affiliate portals.

Directed by Irene Taylor Brodsky (HBO’s Oscar®-nominated “The Final Inch”), BEWARE THE SLENDERMAN covers all sides of this unusual ongoing case, drawing on an eerie array of Slenderman-inspired art, games and self-produced video, all culled from the Internet, along with heart-wrenching, unprecedented access to the two girls’ families, courtroom testimony and interrogation-room footage.

On May 31, 2014, in Waukesha, Wisconsin, a 911 call reported a chilling crime. A girl had been stabbed and was found by the side of the road near the woods. The national news media quickly picked up on the story: Victim Payton (“Bella”) Leutner had been brutally stabbed and left for dead. The suspects were her friends Morgan Geyser and Anissa Weier. All three were 12 years old.

In separate interrogation rooms, Morgan and Anissa both explained to detectives that they were compelled to kill their friend in order to become proxies of Slenderman, a fictional Internet character they believed was real.

Bella recovered from her injuries, and Morgan and Anissa were charged with attempted first-degree murder. By Wisconsin law, they would be tried as adults, though their lawyers appealed to have the case moved to juvenile court. While the girls awaited the judge’s ruling in a juvenile detention center, their baffled parents struggled to understand what happened.

Morgan and Anissa discovered Slenderman on the Internet and came to believe he would hurt their families unless they killed Bella to appease him. Usually depicted as a tall man in a black suit with a featureless white face, Slenderman first appeared on the Internet as part of a 2009 Photoshop contest, lurking behind children in two black-and-white photos. Seen as both a malevolent figure and a guardian angel, Slenderman soon spread to all platforms of the Internet, spawning fan fiction, artwork, games and videos around the world.

Eventually, conspiracy theories about the origins of Slenderman multiplied, and he became a viral meme, with a historic mythology. His character tapped into universal fears, with roots going back to stories by The Brothers Grimm and legends like The Pied Piper of Hamelin.

Anissa and Morgan were particularly susceptible to believing in Slenderman, in part because of their isolation. Anissa’s teacher, Tom Haynes, says she was a social outlier who often cried because she didn’t have friends. Without a peer group of other girls, the pair became more and more obsessed.

Critically, experts testified during a hearing that Anissa has characteristics of a delusional disorder (the inability to distinguish real from not real). This diminished ability can be found in many people to varying degrees. Psychologist Dr. Michael Caldwell, Psy.D. states, “Adults may have simply eccentric religious or spiritual beliefs or conspiratorial beliefs or things like that, and live out their life with no problems at all.”

Additionally, psychiatrists diagnosed Morgan with early childhood schizophrenia, a mental illness also afflicting Morgan’s father. Morgan’s mother comments that she knew one of their children might also develop schizophrenia, and admits there were signs with Morgan. Yet she never imagined something like this could happen.

A year later, citing the premeditated nature of the crime, the judge ruled the girls were to be tried as adults. Having spent more than two years incarcerated and with their trial date still pending, Morgan and Anissa’s saga has now become part of the Slenderman Internet myth.

BEWARE THE SLENDERMAN features interviews with experts who help put the girls’ mental state and the Slenderman myth in context, including: digital folklorist Trevor J. Blank, Ph.D.; Brad Kim, editor-in-chief, KnowYourMeme.com; evolutionary biologist Richard Dawkins, Ph.D.; literary critic Jack Zipes, Ph.D.; neurodevelopmental psychologist Abigail Baird, Ph.D.; and psychologist Jacqueline Woolley, Ph.D.

Ultimately, the film reveals how adolescent isolation, mental health issues and the nebulous reality of the Internet created a chilling mandate for two young girls, with life-altering consequences.

BEWARE THE SLENDERMAN was directed and produced by Irene Taylor Brodsky; produced by Sophie Harris; director of photography, Nick Midwig; edited by Gladys Mae Murphy; original score, Benoit Charest. For HBO: senior producer, Sara Bernstein; executive producer, Sheila Nevins.

Courtesy of HBO

“Outatime: Saving The Delorean Time Machine” Debuts on July 19th!

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It has been thirty years since the release of the beloved film Back to the Future,featuring the most iconic car in movie history, the DeLorean Time Machine.  While the film’s legacy has thrived over the years – the car itself wasn’t so lucky.  After decades of harsh weather, souvenir hunters and wild animals, the Time Machine seemed destined for the junkyard.

 OUTATIME: Saving the DeLorean Time Machine chronicles the efforts of Bob Gale, Universal Studios, and the film’s dedicated fan community as they work together to save this cinema icon. Together, they embark on the greatest movie prop restoration of all…time! OUTATIME will be available on Digital HD, DVD and VOD on July 19, 2016 courtesy of Virgil Films.   

To do the restoration right, Bob Gale made a historic choice. Instead of hiring a car company or prop house to restore the car, Mr. Gale brought in a group of Back to the Future super fans to tackle the restoration. By doing so, the Time Machine became the biggest fan-led prop restoration in movie studio history.  Joe Walser (Head of the Restoration) and his team of Time Machine experts had one singular goal – restore the car with 100% accuracy. Every bolt. Every detail. Exactly like it was in the movie. That kicked off an intense, year-long restoration. Grueling work and long hours pushed team members to their breaking point. Even so, their dedication never faltered. As Walser often said, “our pain is temporary, but the car will be perfect forever.”

Working closely with the Time Machine Restoration Team, filmmaker Steve Concotelli was granted exclusive behind-the-scenes access for the entire restoration process. Concotelli interviewed dozens of people involved with the project and the Back to the Future franchise – including Bob Gale, John Murdy, Michael Scheffe, Michael Lantieri, Claudia Wells, members of the Restoration Team, and more. The result is a fascinating look at the restoration of a movie icon.

About Joe Walser (Head of the Restoration)

Joe Walser has decades of film production experience under his belt having quickly worked his way up the ranks of the Art Department to Production Designer. His pet project to build himself a DeLorean Time Machine quickly became his passion. Joe’s realized goal was to build the first truly accurate DeLorean Time Machine replica. His first Time Machine is currently on display in a museum in Santiago, Chile. His second is the official car used by Universal Studios for all their official media projects.  Joe’s professional background, relentless quest for accuracy, and loyalty to the Back to the Future franchise made him the perfect candidate to head the screen-used, hero DeLorean Time Machine restoration project for Bob Gale and Universal Studios.

About Steve Concotelli (Producer/Director)

For over fifteen years, Steve has been committed to producing high quality television.  In that time, he worked every job in the industry – serving as a Writer, Camera Operator, Editor, Field Producer, Director, and ultimately Executive Producer.  Steve has helped create over 500 hours of television with content partners including Universal Studios, Paramount Pictures, Discovery Channel, TruTV, CMT, Spike, G4 and others.  In 2010, Steve founded Cricket Pictures, a boutique production company in Los Angeles. At Cricket, Steve and his team excel at finding unique on-camera talent and creating dynamic formats around them.

About Virgil Films

Virgil Films & Entertainment was founded in 2003 by Joe Amodei to acquire, market and distribute DVD, TV and Digital product in the theatrical feature film, documentaries, special interest and sports categories. The company has built partnerships with OWN, Sundance Channel Home Entertainment, National Geographic Cinema Ventures, Pure Flix Entertainment, MLB Productions, Morgan Spurlock’s Warrior Poets and other high-profile entertainment brands since their inception. Releases from Virgil Films & Entertainment include the Oscar-nominated documentary Glen Campbell: I’ll Be Me; the award-winning documentary Miss Representation; the critically- acclaimed, timeless, best-selling Forks Over Knives and the Oscar-nominated documentary Restrepo and its sequel Korengal. They have also released the compelling I Am Chris FarleyA Brony Tale, Legends of the Knight and others. 

Follow them on twitter: @virgilfilms | www.VirgilFilmsEnt.com

Follow the film on twitter: @outoftime_movie | www.OUTATIMEmovie.com