Another Wolfcop – Interview with Lowell Dean and Leo Fafard

by Logan Myerz

When it comes to sequels, especially in the horror genre, the second installment can either make or break the franchise. There have been many films that surpass the original in many ways, such as Evil Dead 2, The Conjuring 2, and even Aliens. And many films that killed off the franchise before it really took off, such as Blair Witch 2: Book of Shadows. As a filmmaker, it’s a chance you take to continue with the storyline and capturing what happens to the characters in the next chapter.  Do they live or do they die? More importantly, does the sequel capture the chemistry and tones that made the original movie so compelling?

I had the chance to interview the director, Lowell Dean, and the alcoholic werewolf himself, Leo Fafard, about Another Wolfcop, the sequel to the 2014 underground smash hit Wolfcop. With a title like this and the films poster (a take on Sly Stallone’s Cobra), you know you’re in for some laughs, thrills, and a downright good time. Another Wolfcop is a sequel film that I’ve been awaiting since the original and can honestly say I enjoyed it more than the first movie. Today, I spoke with Lowell Dean about the continuation in this franchise, the challenges, and the process of making a sequel film.  And with Leo, I found out what it’s like playing a werewolf, being doused in buckets of blood, and being banned from the U.S.

Sequels are a disease…..meet the cure!

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Trailer Premiere – Saban Films’ OCCUPATION

A town is suddenly plunged into darkness. In the sky, a fleet of spaceships appears. The aliens have been watching Earth for centuries; now they have arrived to seize control of our planet. As alien storm troopers cut a deadly swath through the countryside, a ragtag group of townspeople realize they must band together for a chance to strike back at the invaders in this explosive sci-fi film that grips from start to thrilling finish.

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Trailer Premiere – RLJE Films’ ANOTHER WOLFCOP

A year has passed since the dark eclipse transformed hard-drinking Officer Lou Garou (Leo Fafard) into the infamous lycanthrope crime-fighter. Although the evil that controlled Woodhaven was defeated, the community is far from returning to normal. A villainous entrepreneur (Yannick Bisson) is looking to open a new brewery and revive the local hockey team, but it’s clear he has ulterior motives. With a new mayor (Kevin Smith) and the new chief of police (Amy Matysio), WolfCop has his work cut out for him when he has to save the town all over again.

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The Last Witness – Interview with Piotr Szkopiak

Who Gets to Call it History?

Director Piotr Szkopiak Talks Justice, Katyn, and The Last Witness

Director Piotr Szkopiak on the set of The Last Witness

Photo courtesy of Momentum Pictures

 

By Christopher M. Rzigalinski

History is written by the victors and those with power. Significant events in the lives of ordinary citizens often go missing from news reports, calendars, and textbooks. But May 11th, 2018 was a monumental date. The Last Witness, Polish-Anglo writer and director Piotr Szkopiak’s second film, opened in Poland that day. Red carpet arrivals and press coverage mattered little compared to the importance of Szkopiak’s mother being present to watch the film.

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Daphne and Velma Blu-Ray #PhellasGiveAway

Daphne and Velma is out today on Blu-ray, Digital, and DVD from Warner Bros Home Entertainment and we’re giving away a copy of the movie to one lucky follower!  Let us know who your favorite Scooby Doo character is and why.  Also, don’t forget to use #PhellasGiveAway when posting and we’ll announce the winner (U.S. Residents ONLY) on Tuesday, May 29th at 7 pm CST.

Jinkies! The smart and resourceful women of the iconic Scooby-Doo franchise, come to life in an all-new mystery with the release of Daphne & Velma from Warner Bros. Home Entertainment. The film stars Sarah Jeffery (Disney’s “Descendants: Wicked World”) and Sarah Gilman (ABC’s “Last Man Standing”), and follows the first mystery-solving adventures of Scooby-Doo’s leading ladies.

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Steven Tyler: Out on a Limb – Interview with Casey Tebo

Director Casey Tebo Talks Inspiration, the Rebirth of Steven Tyler, and Out on a Limb

Director Casey Tebo (left) and Steven Tyler (right) at the 2018 Nashville Film Festival

By Christopher M. Rzigalinski

A 45 year-old male audience member once asked English writer and actor Quentin Crisp what he should do about his thinning hair. “Shave your head. This is the principle on which [style] works. You are losing your hair. So you embrace the loss of your hair. You swim with the tide, but faster,” Crisp responded. “Embrace what you alone have.” I’ve always considered this argument to be the most effective defense against aging. Director Casey Tebo’s film called Steven Tyler: Out on a Limb (2018) proves that, at the age of 70, the Aerosmith frontman is just beginning to find his greatest inspiration.

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AND THEN I GO – Interview with Vincent Grashaw

Friendship, Childhood, and Guns in the Post-Columbine Era

Director Vincent Grashaw Discuss And Then I Go

By Christopher M. Rzigalinski

How far would you go for your best friend? If they were the only person in the world to which you felt connected, would you let anything jeopardize that bond? Would you sacrifice your own life to make them happy? Director Vincent Grashaw uses the United States cultural epidemic of school shootings to examine the roots and depths of friendship in his latest project, And Then I Go (2017). But he was quick to point out that this film is not about topical tragedies; rather, mass shootings by disaffected young boys are treated as manifestations of a broken society.

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Survivors Guide to Prison – Interview with Matthew Cooke

Matthew Cooke talks art, activism, and Survivors Guide to Prison

By Christopher M. Rzigalinski

What does it mean to be an activist? On the basest level, it means promoting social change by raising awareness about an issue or idea. Activism is often depicted in historical narratives through larger-than-life figures and mass movements. But the greatest activism takes place when ordinary individuals work to connect with others on a one-on-one level. From those small gestures, hope transforms into promise for everyone. Director Matthew Cooke (How to Make Money Selling Drugs) and I discussed this interpersonal activist approach as it appears in his latest documentary project, Survivors Guide to Prison (2018).

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