1980’s

Review – RAMBO: Last Blood (2019)

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by Kevin Muller

John Rambo is a relic of an older and wilder time in cinema. He’s a former soldier who came home only to be thrown back into the world of violence and murder. The chaos of war runs through his veins. Eleven years ago, after a 20 year hiatus, Stallone, who was 62 at the time, came back with a kick ass action movie that was unforgiving with its level of gore. It was a great call back to the films of the 80s too. Now, the aging action star, who can still kick the ass of people more than half his age, is back with another story for his memorable action hero. Does he still have it?

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The Barn (2016) – Movie Review **31 Days of Horror**

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Logan Myerz reviews the 80s retro slasher film The Barn that’s directed by Justin M. Seaman.

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“Its Halloween 1989, best friends Sam and Josh are trying to enjoy what’s left of their final Devil’s Night before graduating high school. But trouble arises when the two pals and a group of friends take a detour on their way to a rock concert, finding an old abandoned barn and awakening the evil inside. Now it’s up to Sam and Josh to find a way to protect their friends and defeat the creatures that lurk within “The Barn.”

Review – American Horror Story : 1984 (Episode 1)

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Logan Myerz survives Camp Redwood to review the first episode of American Horror Story: 1984. The show airs every Wednesday on FX.

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“An anthology series centering on different characters and locations, including a house with a murderous past, an insane asylum, a witch coven, a freak show, a hotel, a possessed farmhouse, a cult, the apocalypse and a summer camp”

LETO (2019) – Interview with Michael and Lily Idov

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by Logan Myerz

It’s officially the first day of Summer and there’s no better way to celebrate the hottest season of the year than watching the new film Leto. The films title which is Russian for “summer,” tackles a rock ‘n’ roll daydream based on the early days of the famous Soviet-Korean musician Viktor Tsoi, his musician friend Mike Naumenko, and Mike’s wife Natalia. This creates a somewhat complex music love triangle between the three individuals that adds substance to the early 80’s Soviet music scene. The black and white frames used in the film is painted beautifully to describe youth, rebellion, freedom, love, and the oppression that was occurring at that time in the Soviet Union.

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