by Old King Clancy
A few years ago there was little sci-fi horror flick called Resolution, the first film from filmmakers Justin Benson and Aaron Moorhead. I checked it out recently after realizing it was a semi-prequel to their latest work, The Endless. Resolution was a strange, slow-burning movie that revealed itself to be based around dealing with repeating time-loops and the blurring of each new reality. I enjoyed the film, but I did not come anywhere close to understanding it. By contrast, The Endless not only expands upon these ideas, but gives greater context to what’s been happening across both films. It’s still strange and confusing, but in a more digestible way.
by Armando Vanegas
For as financially and culturally successful as the Harry Potter books and movies were, the first Fantastic Beasts movie seemed to have the shelf life of a forgettable CBS procedural, which might actually be redundant. It was somehow really successful but it seems to not really have any cultural relevance. Like I remember seeing it, but in the words of one of my favorite podcasts, Blank Check with Griffin and David, it’s not a movie that exists. This theory is also supported by the fact that that no one else seems to ever talk about it enough to stand out in anyone’s memory. Aside from the beasts, Colin Farrell as the villain, and Dan Fogler as Jacob, I’m hard pressed to find anything that stood out in that previous movie.
by Old King Clancy
I’ll be honest and say that the Harry Potter series is not ‘sacred’ to me in any way, but the books were a strong part of my childhood and the films even more so. So I’m a definite fan of the franchise and even enjoyed the first Fantastic Beasts film bringing us back into the Wizarding World. So it’s difficult for me to call The Crimes Of Grindelwald a bad movie when there’s little to say that it isn’t.
Logan Myerz reviews Jonah Hill’s directorial debut Mid90s now available in theaters.
#mid90s #moviereview #jonahhill
“Follows Stevie, a thirteen-year-old in 90s-era LA who spends his summer navigating between his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.”
by Kevin Muller
The word, remake, has become a dirty word in Hollywood. Whenever one is announced, people roll their eyes, and either totally ignore it or hand over their money in some type of curious shame. The new film, A Star is Born, is the third cinematic iteration of the popular story about a musician, in his decline, that finds both talent and hope in a young female aspiring singer. The pair this time are Lady Gaga and Bradley Cooper, who not only stars as the male lead, but directed, co-wrote, and produced this epic love story.
Logan Myerz reviews John Carpenter’s 1983 film Christine, that’s adapted from the Stephen King novel.
#31DaysofHorror #Horror #October2018 #Christine #StephenKing #JohnCarpenter
The Texas Chainsaw Massacre Comes to Indonesia
by Nile Fortner
A young group of naïve kids pick up a hitchhiking stranger and their kindness will lead to suffering and gore. We’ve seen this horror formula again-and-again in films. The 2009 Indonesian horror film Macabre does follow this similar formula and the usual clichés. However, Macabre is worth sinking your teeth into and delivers on the cannibal carnage.