Review – Warfare (2025)

Logan and Henry are back with their latest movie review of Warfare, the new A24 film from Alex Garland and Ray Mendoza, about a dangerous mission during the Iraq War in 2006. Enjoy the review and don’t forget to leave a comment, like and subscribe for more great movie reviews.

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“A platoon of Navy SEALs embark on a dangerous mission in Ramadi, Iraq, with the chaos and brotherhood of war retold through their memories of the event.”

Review – Black Mirror: Season 7 (2025)

The cinephellas are back! 🎥 This time, we’re diving into the brand-new season of Black Mirror, now streaming on Netflix. Known for its sharp, suspenseful, and satirical stand-alone stories, this new season delivers fresh, thought-provoking tales that will leave you questioning the world around you. Join us as we break down each episode and share our thoughts on this mind-bending series! 🔥 💻📱

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“Featuring stand-alone dramas — sharp, suspenseful, satirical tales that explore techno-paranoia — “Black Mirror” is a contemporary reworking of “The Twilight Zone” with stories that tap into the collective unease about the modern world.”

Review – Death of a Unicorn (2025)

After enjoying their first cinema trip together since 2018, Logan and Henry critique A24’s recent release, Death of a Unicorn with Paul Rudd and Jenna Ortega in the lead roles. Check out our review of the film and don’t forget to like and subscribe for more movie and TV reviews! 🦄

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“A father and daughter accidentally hit and kill a unicorn while en route to a weekend retreat, where his billionaire boss seeks to exploit the creature’s miraculous curative properties.”

Review – Dopesick (2021)

Dopesick takes at the opioid crisis that is plaguing the nation from the perspectives of the addicts, doctors, pharmaceutical companies and drug reps directly involved. Watch our review of the Hulu mini-series that stars Michael Keaton.

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“The series takes viewers to the epicenter of America’s struggle with opioid addiction, from the boardrooms of Purdue Pharma, to a distressed Virginia mining community, to the hallways of the DEA.”

Review – Midsommar (2019)

By Kevin Muller

What made Ari Astar’s 2018 film, Hereditary, so chilling was the skilled build up to each scene. Most horror films have no subtlety whatsoever that rely on constant jump scares and the sudden heightening of audio effects. Astar’s movies may move at a snail’s pace, but once the scares kick in, he let’s you sit in the fear, paranoia, and any other negative feeling that conjures up in any given scene. Where his first feature lured in darkness, his new film basks in the sunlight. Does he give us a worthy follow up or fall into a Sophomore slump?

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