Hearing that a film is based on an existential novel that’s over 100 years old, you should expect some level of confusion and indeed controversy. That’s what The Man Who Was Thursday delivers: it’s a film that examines themes of religion, anarchy, faith, dictatorships and metaphysical consequence and never allows its audience to get too comfortable with what is really going on. It’s a challenging piece and no doubt some of the elements will be controversial, but there’s still something interesting here that’s worth trying to crack open.
Cinephellas 