By Kevin Muller

The Worst

10. Tuesday

The number 10 spot usually goes to a film I didn’t hate but saw as a huge missed opportunity. Tuesday fits that bill perfectly. Julia Louis-Dreyfus headlines a surreal drama about a mother facing her daughter’s final days, aided by a magical bird. On paper, this looked like her awards-season breakthrough. In reality, it’s a tonal mess—half emotional drama, half awkward comedy, with neither side working. Dreyfus does her best, but even she can’t salvage it. As for the bird? Beautifully animated but utterly bizarre. Its voice sounds less like wisdom and more like Anna Faris’s “House Bunny” impression—and not in a good way.

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