Review – Godzilla x Kong: The New Empire (2024)

Adam Wingard

The two ancient titans come together to face a colossal deadly threat from within the hollow earth in the latest entry in the Monsterverse, Godzilla X Kong: The New Empire. We review the blockbuster film, now showing in theaters.

#GodzillaxKongTheNewEmpire #GodzillaXKong #MovieReview

“Two ancient titans, Godzilla and Kong, clash in an epic battle as humans unravel their intertwined origins and connection to Skull Island’s mysteries.”

Candyman (2021) – Movie Review **31 Days of Horror**

Candyman (2021) – Plot & Trailer | Horror Sequel | Heaven of Horror

Say his name. The Candyman returns to terrify us all during ’31 Days of Horror,’ this time from the mind of Jordan Peele and director Nia DaCosta. Logan and Henry look into the mirror and review the 2021 reboot of Candyman. 🎃🪦👻☠️😷🔪🍬🍭🐝

#Candyman #31DaysofHorror #MovieReview

“A sequel to the horror film Candyman (1992) that returns to the now-gentrified Chicago neighborhood where the legend began.”

Also, before you prepare to get your ghoul-gown, check out the CinePhellas on social media for all kinds of updates and join our CinePhellas family. We at CinePhellas really do appreciate all your support and remember, always check your candy. 🍫

Review – Candyman (2021) **31 Days of Horror**

Watch Candyman 2021 at home for free: Here's how to stream full movie

By Kevin Muller

To say Jordon Peele’s star has risen, would be an understatement.  In the span of four years, he has gone from a hilarious sketch comic to one of the most reliable talents in Hollywood. Even though his projects still contain the humor that we love him for, he also injects a lot of social commentary into his films about the black experience. Now, he has brought back the old horror classic, Candyman, to the big screen in what is considered a sequel and NOT a remake. Does he breathe new life into the project or was this a property he should’ve left alone?

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Review – Slice (2018)

by Old King Clancy

Movies like Slice are part of a genre that I’m now trade-marking as “Kitchen Sink Movies,” films like Detention and Freaks Of Nature that take wildly outlandish concepts, throw the kitchen sink at the screen, and pray to god that it’s entertaining because it’s sure as hell not gonna make any sense. It’s a difficult genre to pull off since you run the risk of going too far and blurring out any attempt at story, or you don’t go far enough and your wild concept just feels flimsy and unfocused. In the case of Slice, it unfortunately suffers from the latter issue.

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Review – Eighth Grade (2018)

By Armando Vanegas 

Comedian Bo Burnham’s feature film debut Eighth Grade, a new movie about a young girl going through the last week of eighth grade, will probably make most people’s skin crawl, due to how it manages to hit so close to home depending on one’s personal childhood experiences. But it made this reviewer feel very engaged and invested for just that reason due in part to Burnham’s skills behind the camera. He makes a rather simple slice of life story as convincing enough for someone like its introverted and social media obsessed main character Kayla, played by actress Elsie Fisher. Fisher proves to have a future in movies as her role fits her like a glove. She doesn’t so much announce herself as a star in the making, so much as she quietly nudges to the person next to her and writes it in a note to pass it down the theater aisle. She finds a way to make this character both sympathetic and off-putting, sometimes in the same scene. She makes the moments of her character’s anxiety feel too real and gives a lot of unexpected tension to the proceedings. She also successfully manages to embody the feeling of alienation that one gets from that awkward time in one’s life while struggling to make a connection through social media. This is one of the ways the movie manages to subvert expectations while being more thoughtful and emotionally in-depth than most other coming of age movies.

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Summer of ’84 – Review & Interview with Graham Verchere

‘Summer of ’84’ Is a Splash of Brilliant B-Movie Nostalgia

by Nile Fortner

Even though I wasn’t born yet, I know that 1984 was a fantastic year that gave us classics that would later go on to become classic nostalgia. The year 1984 gave us a Schwarzenegger as a futuristic killing-machine cyborg hunting down anyone named Sarah Connor in The Terminator. The year 1984 also taught us that Gremlins can’t get wet, Molly Ringwald was the O.G. red-head babe before Jessica Chastain (sorry Jessica), and that counting after “five and six you better grab your crucifix” before a red-and-green striped sweater wearing serial killer haunts your dreams.

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