“Say it once… Say it twice… But we dare you to say it THREE TIMES.” Logan Myerz reviews Tim Burton’s 1988 film Beetlejuice starring Michael Keaton, Alec Baldwin, Geena Davis, and Winona Ryder.
#Beetlejuice #31DaysofHorror #Horror #Halloween #MovieReview
“The spirits of a deceased couple are harassed by an unbearable family that has moved into their home, and hire a malicious spirit to drive them out.”
Logan Myerz reviews The Haunting of Bly Manor that’s created by Mike Flanagan for Netflix that’s loosely based on Henry James’s 1898 novella ‘The Turn of the Screw.’
#TheHauntingofBlyManor #TheHauntingofBlyManorNetflix #31DaysofHorror #TVReview
“After an au pair’s tragic death, Henry hires a young American nanny to care for his orphaned niece and nephew who reside at Bly Manor with the chef Owen, groundskeeper Jamie and housekeeper, Mrs. Grose.”
RLJE Films, a business unit of AMC Networks, and Shudder, AMC Networks’ premium streaming service for horror, thriller and the supernatural, have acquired US rights to the action/comedy PG: PSYCHO GOREMAN. RLJE Films is planning to release the film in theaters in late 2020 and Shudder will premiere the film on its platform in early 2021.
Written and directed by Steven Kostanski (The Void), PG: PSYCHO GOREMAN stars Matthew Ninaber (Transference), Nita-Josee Hanna (Books of Blood), Owen Myre (“NOS4A2”) and Adam Brooks (The Editor).
It’s been 15 years since Warner Brothers’ remake of House of Wax arrived in theaters and Logan Myerz revisits the underrated slasher that packs great performances, practical effects, and unforgettable kill scenes!
#HouseofWax #MovieReview
Logan Myerz returns from the Key House to review the first season of Locke & Key. The new Netflix series is based off of the Joe Hill and Gabriel Rodriguez comic book series that’s now available on the streaming service.
#LockeAndKey #TVReview #Netflix
“Three siblings who move into their ancestral estate after their father’s gruesome murder discover their new home’s magical keys, which must be used in their stand against an evil creature who wants the keys and their powers.”
Logan Myerz returns to check out the brand new trailer for Locke & Key. The new Netflix series is based off of the Joe Hill and Gabriel Rodriguez comic book series that hits the streaming service on February 7th!
#LockeAndKey #TrailerReaction
“Three siblings who move into their ancestral estate after their father’s gruesome murder discover their new home’s magical keys, which must be used in their stand against an evil creature who wants the keys and their powers.”
Logan Myerz takes a ride in the Ecto-1 and shares his thoughts on the new Ghostbusters : Afterlife trailer that was released by Sony Pictures. The film opens in theaters on July 10, 2020!
#GhostbustersAfterlife #Ghostbusters2020 #Ghostbusters
“When a single mom and her two kids arrive in a small town, they begin to discover their connection to the original Ghostbusters and the secret legacy their grandfather left behind.”
by Kevin Muller
When writer and director Robert Eggers burst on to the scene with 2016’s The Witch, he gave us a true New England horror tale. What he succeeded in doing was creating an immersive experience for the viewers. A majority of the time, when films are set in a different time periods, the accents are shoddy, the cinematography too clean, or the actors can’t nail the true essence of the characters. Eggers nailed all three of those aspects and much more. For his next feature, he has given us a movie, that takes place at the end of the 19th century, located in New England, with his two actors speaking in thick New England accents. Does he go two for two, or was his first effort a fluke?
“Keeping secrets, are ye?” Logan Myerz reviews Robert Eggers black-and-white fantasy horror film The Lighthouse starring Robert Pattinson and Willem Dafoe.
#TheLighthouse #31DaysofHorror #MovieReview
“The hypnotic and hallucinatory tale of two lighthouse keepers on a remote and mysterious New England island in the 1890s.”
First off, what the fuck was this supposed to be? I get that it’s supposed to be a commentary on the art world and a horror movie at the same time, but I literally don’t get what I’m supposed to get from it outside of that. There’s so many plot threads and downtime in between all the crazy parts that it causes the movie to have an inconsistent tone. Am I supposed to laugh or be scared or just think? Velvet Buzzsaw is a nearly 2 hour cocktease of a movie that has some interesting ideas, but it wants to tackle too much, and really ends up doing none of it very well. I understand the main idea though. There’s a lot of jaded pretentious art people. I got this right away and there was nothing new that the smartest comedies to even the most bottom of the barrel satires haven’t already done communicating that same idea. Art people are pretentious. It takes a large bulk of its run-time making sure we get that as we’re seeing a lot of these characters just living their life functioning around this world.
Cinephellas 