Review – Good Boys (2019)

by Armando Vanegas

Studio comedies are in a weird place right now. For some time, there was a time where every other week, there was a comedy coming out that looked good to me. Most of the time, I seemed pretty pleased with what I got. Even the worst ones had something to giggle at, for the most part. Perhaps the fact that Judd Apatow had smash hits with The 40-Year-Old Virgin and Knocked Up made a lot of studios wake up for a bit and try harder for a little while. Nowadays, I barely see many come out and most of the recent ones that do underwhelm me. It could also be more that I changed or the movies changed or most likely, both. Whatever it was, Good Boys has come around to bring some much needed laughs to the movies. While it seemed like the kind of movie that was going to follow the trend of being forgettable, I heard some good buzz that indicated that this was going to be a fun time and it delivered on that. The trailer wasn’t much of an indicator of its quality since it wanted me to think it was funny solely because it featured kids using profanity. I wondered how much that could carry a movie. As it so happens, there is more to the movie than that. While it does follow a lot of the same beats as other coming-of age comedies like Superbad or even this year’s Booksmart, it’s a movie that’s concerned with just making you laugh. If you’re looking to have a hilarious time at the movies, Good Boys will do the trick.

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Review – Good Boys (2019)

by Nile Fortner

Even though the movie Good Boys has some wacky, gross-out jokes, and 12-year-olds in outrageous situations, this film has a lot of heart, especially towards the end. The movie’s charm comes from the way producer Seth Rogen and debut-director Gene Stupnitsky showcase the innocence of kids. The comedy comes from that innocence of children talking about things in an adult perspective. This film follows a similar format of Superbad or more recently Booksmart.

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Review – Booksmart (2019)

by Kevin Muller

Olivia Wilde has been in the business for over ten years. As an actress, she’s juggled a career starring in both projects on television and film. On top of being strikingly beautiful, she carries herself with confidence, possessing both a razor sharp wit and deep intellect. Both her parents were respected journalists that rubbed elbows with many influential people during their careers. Wilde has spoken of many anecdotes, from her childhood, involving people from the political and entertainment world. She has been surrounded by respected people all her life. It is a lot to live up to and now she has challenged herself to be more than a pretty face. She has tried her hand at directing a coming of age story, with two female leads. How does she do with her first directorial debut?

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Review – Booksmart (2019)

by Old King Clancy

Going into Booksmart, I’d had the film on the edge of my radar, mostly due to it being the directorial debut of Olivia Wilde, the strong reviews and was being touted as the female Superbad. This was a description I later found out was more apt than I initially thought with one of the lead actresses being Jonah Hill’s sister – but had I not been given a free ticket to see the film early, I might have waited before checking this one out. Instead, I’m going to use this platform to tell people to go out there and see this film because it’s a hilarious, dirty, and an unclichéd look into female friendships and the life of a modern high-school student that deserves more than just being called the female Superbad.

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