Review – Avengers: Infinity War (2018)

by Old King Clancy

10 years ago, Marvel Studios released Iron Man. It was a funny, action-packed romp with a charismatic lead and in any other time would’ve come and gone and possibly been looked back on as a better than expected comic-book movie. But in 2008, Marvel gave us a promise, a post credit scene that nearly everyone missed talking about “The Avengers Initiative,” and with those three words, The MCU was born. 10 years and 19 films later, it has stood out as one of the biggest, possibly even the most successful franchises of all-time and while it hasn’t been perfect all the way, the highs easily outweigh the lows.

And Infinity War might just be the crowning jewel in Marvel’s crown. Continue reading

Review – Sausage Party (2016)

by Nile Fortner

Is This What Happens When You Get High While Watching ‘Cloudy With a Chance of Meatballs’?

Life is good for all the food items that occupy the shelves at the local supermarket. Frank, played by comedian stoner Seth Rogen (known for Knocked Up and Pineapple Express) is a hot dog, Brenda, played by Kristen Wiig (known for Bridesmaids and the upcoming Wonder Woman sequel) is the hot dog bun, Teresa Taco, played by Salma Hayek(known for Frida and Everly) and Sammy Bagel Jr. played by Edward Norton (known for Fight Club and American History X) can’t wait to go home with a happy customer, because they see human beings as Gods.

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Review – ‘Andre The Giant’ HBO Documentary (2018)

by Nile Fortner

In the late 70’s and 80’s, WWF (now WWE) superstar Andre Roussimoff, better known as Andre the Giant, was a professional wrestling superstar. Many people already knew that the story-lines in TV wrestling were fake and some people had a hard time accepting the truth that Andre stood seven feet tall and weighed 500 pounds, a behemoth of a man.

Andre was nicknamed “The Eighth Wonder of the World” and a “Larger than Life Existence”. HBO’s Andre the Giant documentary is a larger than life documentary that does a good job of showing the career, influence, ups-and-downs that Andre dealt with in his inspirational lifetime.

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RLJE FILMS ACQUIRES “PUPPET MASTER: THE LITTLEST REICH”

RLJE Films to Release the Reimagining of the Franchise Classic in August 2018 Following its World Premiere at The Overlook Film Festival

 RLJE Films, a brand of RLJ Entertainment (NASDAQ: RLJE), has acquired all North American rights to highly anticipated horror movie Puppet Master: The Littlest Reich.  The reimagining of the Full Moon Features cult classic stars Thomas Lennon (TV’s “Reno 911!”), Jenny Pellicer (TV’s “Cocaine Godmother”), Nelson Franklin (TV’s “Veep”), Charlyne Yi (This is 40), Michael Pare (Eddie and the Cruisers), and Barbara Crampton (Re-Animator).  The iconic Udo Kier (Brawl in Cell Block 99) stars as the titular character.  Written by S. Craig Zahler (Bone Tomahawk) and directed by Sonny Laguna (We Are Monsters) and Tommy Wiklund (Wither), RLJE Films plans to release the movie in theaters in August 2018.

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Review – Patti Cake$ (2017)

Precious’ Meets ‘Hustle & Flow’ in ‘Patti Cake$

by Nile Fortner

Patti Cake$ is a heartwarming story about a young woman from New Jersey named Patricia Dombrowski, who has dreams of achieving stardom and success as a rapper. Patricia, aka Killer P, aka Patti Cake$, wants to follow in the same footsteps of her favorite rapper. In order to achieve this goal, Patti receives help from her friend, a mysterious Goth musician, and her supportive grandmother.

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AND THEN I GO – Interview with Vincent Grashaw

Friendship, Childhood, and Guns in the Post-Columbine Era

Director Vincent Grashaw Discuss And Then I Go

By Christopher M. Rzigalinski

How far would you go for your best friend? If they were the only person in the world to which you felt connected, would you let anything jeopardize that bond? Would you sacrifice your own life to make them happy? Director Vincent Grashaw uses the United States cultural epidemic of school shootings to examine the roots and depths of friendship in his latest project, And Then I Go (2017). But he was quick to point out that this film is not about topical tragedies; rather, mass shootings by disaffected young boys are treated as manifestations of a broken society.

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