Chiller Films Releases ‘DEMENTIA 13’

In Theaters October 6, 2017 and on VOD and Digital HD October 10, 2017

Chiller Films announces today the release of the upcoming horror thriller DEMENTIA 13, in theaters on October 6, 2017 and on VOD and Digital HD on October 10, 2017. This retelling of Francis Ford Coppola’s 1963 film of the same name is directed by Richard LeMay (“The Dark Rite,” “Naked As We Come”) and is written by Dan DeFilippo (“The Invaders,” “Chilling Visions: 5 Sates of Fear”) and Justin Smith (SiREN, THE BOY).  The cast includes Julia Campanelli (“Walking Away”), Ana Isabelle (“The Eye,” “Lost Cat Corona”), Marianne Noscheze (“Horror Time”), Channing Pickett (“Redheads Anonymous”) and Christian Ryan (“Celebrity Ghost Stories,” “Casters”).

Continue reading

Review – Bad Genius (2017) Fantasia International Film Festival!

by Vincent Leblanc

On Day 4 of the Fantasia Festival, I had one screening in the afternoon. This film tempted me very much after reading about it and watching the trailer. And it seems I was not the only one to be interested because it was the first of two sold out screenings (ed.: they’ve now added a third screening). A guy even offered me $40 for my ticket that I paid $9 for while I was waiting in the line to enter the theater! This was the Canadian Premiere of the Thai film Bad Genius (Chalard Games Goeng or Chalat Kem Kong, the latter of which is, apparently, the transliteration of it’s original title ฉลาดเกมส์โกง in Thai script).

Continue reading

Killing Ground (2017) – Interview with Harriet Dyer

Anatomy of Salvation: A Conversation with Harriet Dyer

by Christopher M. Rzigalinski

Attending Catholic school for half my life taught me that salvation meant being saved from damnation by Jesus Christ. The contours of that salvation were difficult to define, though. The very thought that I, an ordinary person, was empowered enough to save myself, let alone others, was overwhelming. Since becoming an adult, however, I’ve been thrust into the role of protector several times. No discrediting Christian doctrine, but it’s equally as important to validate the agency of individual human beings.

Continue reading

Review – The Big Sick (2017)

by Kevin Muller

There is a saying that goes, “write what you know.” This advice is given to writers who try too hard to change the world with a unique idea. While a unique idea is great, sometimes it fails hard when it is overly complicated or not expanded upon to really give it a proper representation. The Big Sick takes this advice and creates something incredibly heartfelt and funny. Romantic comedies are a dime a dozen and this one is definitely one that sticks out among the pack.

Continue reading

Review – War for the Planet of the Apes (2017)

by Old King Clancy

There should have never been a Planet Of The Apes reboot, a prequel series chronicling the events that led to the destruction of humanity and the rise of the apes. It was a ridiculous concept that should’ve never made it passed the conception, but it did make it. Through this whole trilogy, from Rise to Dawn to War, this franchise has proven itself one of the greatest sci-fi trilogies of the modern age. With War For The Planet Of The Apes, they end this series in the perfect way to create one of the most personal and morally complex blockbusters out there today.

Continue reading

Cinephellas Podcast – Episode 14 (Interview with Michael Alago)

Translation of Beauty : A Conversation with Michael Alago

By Christopher M. Rzigalinski

We’re often reminded that beauty exists in the eye of the beholder. But that revelation takes for granted that the beholder is already positioned in front of the subject she or he is admiring. Seldom do we hear about the influencers that make the relationship between subject and admirer possible. Without them, how would we even have the opportunity to recognize beauty? Michael Alago has made a career of interpreting art and presenting it for large audiences. Who the F**k is that Guy?: The Fabulous Journey of Michael Alago, director Drew Stone’s documentary about Alago’s life and career, explores Michael’s ability to translate his personal passions into shareable ideas. Whether in the role of show booker for the legendary Ritz club in New York, A & R (Artist & Repertoire) scout for Elektra Records, or as an independent photographer, Alago has a vision for understanding the talent that makes his subjects unique and different. And in the film, we get to see the world through his eyes.

Continue reading

Review – Spider-Man: Homecoming (2017)

by Old King Clancy

Marvel introducing Spider-Man in Civil War was a big step and allowed them to introduce their version of one of the most popular characters in this Universe. Now with his own movie in the MCU, thankfully it isn’t an origin story again. In Homecoming, Spidey proves why his inclusion to the MCU was the best move for the character, and Tom Holland sets himself up as arguably the best incarnations of the web-slinger.

Continue reading

Review – Pilgrimage (2017) Edinburgh Film Festival

by Old King Clancy

The nature of films, and indeed all media, means that comparisons are almost inevitable and it’s important to remember that just because a film isn’t as good as a similar films, that doesn’t mean it itself is a bad film. Case in point, Pilgrimage comes across as a mix between Valhalla Rising and Silence,  without the visual trip of the former or the heaviness of the latter, but still within it’s own rights is an enjoyable and interesting examination of faith.

Continue reading