Cinephellas Podcast – Episode 19 (Interview with Coach Stuart Krohn)

The Meaning of a Mentor: A Conversation with Coach Stuart Krohn

by Christopher M. Rzigalinski

If we’re lucky, we get at least one mentor that changes the direction of our lives. That person could be a teacher, a coach, or a family member. The student athletes of the Inner City Education Foundation (ICEF) Rugby program are lucky enough to have all three in Coach Stuart Krohn. After an All-American college rugby career and a professional playing career in France, New Zealand, Hong Kong, and South Africa, Krohn settled in Southern California to coach the Santa Monica Rugby Club in 1999. During that time he started teaching English and designing a plan to bring rugby to the economic disadvantaged communities of South Los Angeles.

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Review – Detroit (2017)

kathryn bigelow

by Old King Clancy

I wasn’t initially going to review Detroit for many reasons that I’ll get into in a moment, but I’ve been thinking about it all day, and I found myself getting angrier while wondering why no-one else has picked up on the stupidity in this film. Maybe it is just me, maybe I am focusing too much on such a minor part of the film, but it’s a minor part that sets off the entire second act. And the fact that the film refuses to even acknowledge it is why it pisses me off.

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Cinephellas Podcast – Episode 18 (Interview with Nicholas Bushman)

Playing and Praying for Life: A Conversation with Nicholas Bushman

By Christopher M. Rzigalinski

On this edition of the Cinephellas Podcast I’m chatting with director Nicholas Bushman about the DVD and Blu Ray releases of his movie Union Furnace, both out on August 15th. Union Furnace tells the story of Cody, a small-town criminal, played by Mike Dwyer, with little going for him. After crashing a stolen car, the mysterious Lion, played by the brilliantly sadistically Seth Hammond, offers Cody the chance for financial security and a way out of their small Ohio town. The only condition is that Cody must win an 8 round life or death competition against other town misfits. Only by avoiding death can he begin living.

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Review – Dunkirk (2017)

by Henry Hill

Some movies are made with the sole purpose of being seen on the big screen. In the case of director Christopher Nolan, a majority of his films fall into this category. They are grand in scope and give the viewer the feeling as if they are pedestrians on a city street being towered over by skyscrapers. The cinematography of Nolan’s films always include wide shots showcasing the vastness of the particular setting they are taking place in and always have a very authentic feel to them, placing the viewer in the thick of the story, and making them feel like they are part of a large world. Dunkirk is no different; it was filmed using the large format IMAX cameras and it is a behemoth of a war movie complete with thunderous explosions, a heart-thumping soundtrack, and one of the most harrowing evacuations in history.

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This Summer Go Ape Sh!t For ‘War for the Planet of the Apes’!

by Nile Fortner

A few years ago, 20th Century Fox decided to do what a majority of movie production companies were doing and already invested in, dusting off old, famous properties, names, and recognition by doing prequels for the big-screen. I’ve always been a fan of ‘The Planet of the Apes’ films. Back in 2011, I was very surprised how much I enjoyed the prequel ‘Rise of the Planet of the Apes’. Even more unexpectedly, the sequel to the prequel, ‘Dawn of the Planet of the Apes’, I absolutely loved, and consider it to be the best ‘Planet of the Apes’ film since the 1968 original classic. Now we have the third entry to the prequels, ‘War for the Planet of the Apes’, and is officially a trilogy. The best trilogy we have gotten in years!

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