The infected uncles Logan and Henry are back with their review of 28 Years Later: The Bone Temple, which sees Spike get kidnapped by a group of serial killers while Dr. Kelson makes a discovery that could change the world.
#28YearsLaterTheBoneTemple #28YearsLater #MovieReview
“As Spike is inducted into Jimmy Crystal’s gang on the mainland, Dr. Kelson makes a discovery that could alter the world.”
Before entering the hellish world of the 28 Years Later franchise, Nia DaCosta invites us to an affluent gala hosted by the devilish Hedda, played by Tessa Thompson. What did Kevin think of the film? Check out his full review below.
#Hedda #MovieReview
“Henrik Ibsen’s renowned stage drama from 1891 is reimagined in an epic and emotional way.”
Captain Marvel returns and must team up with Ms. Marvel and Monica Rambeau to save the universe in The Marvels. Logan and Henry are back to review the new MCU film, starring Brie Larson, Teyonah Parris and Iman Vellani.
#TheMarvels #MovieReview
“Carol Danvers gets her powers entangled with those of Kamala Khan and Monica Rambeau, forcing them to work together to save the universe.”
Say his name. The Candyman returns to terrify us all during ’31 Days of Horror,’ this time from the mind of Jordan Peele and director Nia DaCosta. Logan and Henry look into the mirror and review the 2021 reboot of Candyman. 🎃🪦👻☠️😷🔪🍬🍭🐝
#Candyman #31DaysofHorror #MovieReview
“A sequel to the horror film Candyman (1992) that returns to the now-gentrified Chicago neighborhood where the legend began.”
Also, before you prepare to get your ghoul-gown, check out the CinePhellas on social media for all kinds of updates and join our CinePhellas family. We at CinePhellas really do appreciate all your support and remember, always check your candy. 🍫
By Kevin Muller
To say Jordon Peele’s star has risen, would be an understatement. In the span of four years, he has gone from a hilarious sketch comic to one of the most reliable talents in Hollywood. Even though his projects still contain the humor that we love him for, he also injects a lot of social commentary into his films about the black experience. Now, he has brought back the old horror classic, Candyman, to the big screen in what is considered a sequel and NOT a remake. Does he breathe new life into the project or was this a property he should’ve left alone?
Cinephellas 