Review – Mayhem (2017)

by Old King Clancy

With the over-reliance on Rotten Tomatoes in recent years and everything being picked apart for its political standing (or lack thereof) it seems a lot of people have forgotten that not every film needs a message, some can just be an escape from reality to live out your dreams. Those dreams can be of being the strongest man in the world, or of visiting the furthest reaches of space, or in the case of Mayhem, of watching white-collar assholes get brutally murdered. And honestly, that’s all it needed to be.

Continue reading

L.A. Premiere of TNT’s ‘I Am The Night’

Gal Gadot showed support for her Wonder Woman co-star Chris Pine and Wonder Woman director Patty Jenkins at the Los Angeles premiere of I Am The Night. The series is directed by Jenkins and produced by Pine. The TNT television miniseries is a murder mystery that takes inspiration from such cases and stories as The Black Dahlia. In this video, Nile Fortner shares Gal Gadot’s highlights with Pine and Jenkins at the January 24, 2019 event.

#IAmTheNight #PattyJenkins #GalGadot #ChrisPine

Continue reading

Review – Glass (2019)

by Kevin Muller

Almost 19 years ago, M. Night Shyamalan, followed up his critical, and hugely successful, The Sixth Sense, with a film called Unbreakable. It divided audiences with its serious approach that it took to the comic book lore. Some thought it was pretentious dribble, while others thought it had such brilliance and approached medium in a unique way. For years, Shyamalan teased a sequel to it, but nothing ever developed. Instead, he produced a decade of films that both flopped and were hated by audiences. No one will be able to imagine mother nature and Mark Wahlberg together without laughing.   Then, in 2017, he gave us a new film called Split. It was about a group of girls being abducted by a mad man with multiple personalities, named Kevin Wendell Crumb, or the Horde, who were trying to escape before it was too late. James McAvoy, brilliantly played the antagonist, and it seemed that Shyamalan remembered how to direct a masterful thriller. Then, the ending happened, and you could hear the collective gasps from everyone as it was revealed that this was the sequel to Unbreakable that we had been waiting for. As Bruce Willis’s character, David Dunn, sat at a diner counter top with the theme song from the original film, he now understood that the city of Philadelphia had to be protected, and he had to take down this new threat. After all these years, was it worth the wait?

Continue reading

Review – Spider-Man: Into The Spider-Verse (2018)

by Armando Vanegas

Just to start, I was very surprised with how much I enjoyed this movie as a lot of animated movies are hard to really win me over. A lot of them are okay but most are mediocre and more than happy to play to the cheap seats. This is disappointing because this is animation so anything is possible but more often than not, they’re so scared to take risks. Spider-Man: Into the Spider-Verse understands this. Like the best kind of entertainment, it knows my time is valuable and as a result, this movie really takes advantage of that in so many unexpectedly brilliant ways. Seriously, this movie works on so many levels. It’s intense, action packed, funny, suspenseful, exciting, unique, and a lot of other words that could be used to describe how great it is. I love how much it’s willing to play with the form. More movies should do this because it’s what makes the theater experience fun.

Continue reading

Review – The Endless (2017)

by Old King Clancy

A few years ago there was little sci-fi horror flick called Resolution, the first film from filmmakers Justin Benson and Aaron Moorhead. I checked it out recently after realizing it was a semi-prequel to their latest work, The Endless. Resolution was a strange, slow-burning movie that revealed itself to be based around dealing with repeating time-loops and the blurring of each new reality. I enjoyed the film, but I did not come anywhere close to understanding it. By contrast, The Endless not only expands upon these ideas, but gives greater context to what’s been happening across both films. It’s still strange and confusing, but in a more digestible way.

Continue reading