We review the first Yellowstone prequel series, 1883 starring Tim McGraw and Faith Hill as James and Margaret Dutton as they embark on a journey toward Montana. The show is streaming on Paramount +.
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“Follows the Dutton family on a journey west through the Great Plains toward the last bastion of untamed America.”
The wild boys saddle up at Dutton Ranch once again and review the fourth season of Yellowstone that is currently streaming on the Paramount+ streaming service.
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“A ranching family in Montana faces off against others encroaching on their land.”
Logan and Henry review the premiere episode of the Yellowstone spinoff series from creator Taylor Sheridan 1883, starring Tim McGraw, Faith Hill and Sam Elliott. The first season is currently airing Sundays on Paramount +.
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“Follows the Dutton family on a journey west through the Great Plains toward the last bastion of untamed America.”
The inspired and gory splatter zombie flicks are back and this Canadian zombie flick takes a bite out of some fun. The zombie-horror movie, Blood Quantum, follows a sheriff who must protect his son’s pregnant girlfriend, refugees, and reserve riffraff from hordes of the walking corpses. In this episode of the Cinephellas Podcast,Nile Fortner discusses the movie with the star of Blood Quantum, Michael Greyeyes. Nile and Michael discuss the response the film received from TIFF‘s Midnight Madness, how this zombie movie differs from the others, and more on this podcast episode. Blood Quantum is currently streaming on Shudder and available on VOD, Digital HD, DVD and Blu-ray on September 1, 2020.
“The dead are coming back to life outside the isolated Mi’kmaq reserve of Red Crow, except for its Indigenous inhabitants who are strangely immune to the zombie plague.”
Logan Myerz returns from the back pastures of the Dutton Ranch to share his thoughts on Season 3 of Yellowstone. The show airs every Sunday night on the Paramount Network.
Henry Hill takes a ride to the Dutton Ranch to review the first episode of Yellowstoneseason 2 titled ‘A Thundering.’ Yellowstone airs every Wednesday night on the Paramount Network.
I’ll never forget where I was when I first saw David Lynch’s Twin Peaks: Fire Walk with Me. I was 13 years old in a pre-streaming world with the movie being the easiest way to access the show thanks to cable television. Seeing parodies of the show and the fact that I was a dedicated TV Guide reader, where the magazine often touted it as one of the great shows of our time, made me more curious about checking it out. When I finally sat down to finally enter this world on a late summer night in 2006, I despised it so much that I wished that I was in a theater with a drink so I could throw something at the screen with the nonsense I was being shown. Little did I know, for David Lynch’s stuff, being weird and nonsensical was a constant in his filmography.
Shows that come back from a long hiatus can be tricky because you don’t know how it will be perceived and it’s hard to know if it will have the same impact that it did with viewers from years ago. The other thing to consider is that people change and as a result, feelings and sensibilities change. This seems to be a big part of what co-creators David Lynch and Mark Frost were aware of coming into this new season of Twin Peaks, also known as Twin Peaks: The Return, as it seems to have a somewhat different feel from the original series. Whereas the old show contained lots of intentional soap opera satirical aesthetics, these new episodes have a more experimental and esoteric feel that is more fitting on its new premium cable home, Showtime. As usual with any David Lynch project, you’re not going to be given simple answers and satisfying conclusions. As long as you’re okay with that going in, you’re bound get something out of this. It’s not exactly a fun watch, but it gives you something to chew on even if it can be hard to wrap your head around at times thanks to the trademark surrealism on display.