Review – Hostiles (2017)

By Henry Hill

Sometimes when you haven’t seen an actor or actress in a film for a few years, they slip into the back of your mind, and it isn’t until you see the trailer for their next movie that you are reminded just how great they are at their craft. That was the case when I saw the trailer for Hostiles with Christian Bale starring. Ten years ago, Bale and Russell Crowe were in a terrific remake of the 1957 western, 3:10 to Yuma. The trailer for Hostiles hinted that we were in for another great western with Bale, and after seeing the film, I can say that it is a great western.

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Survivors Guide to Prison – Interview with Matthew Cooke

Matthew Cooke talks art, activism, and Survivors Guide to Prison

By Christopher M. Rzigalinski

What does it mean to be an activist? On the basest level, it means promoting social change by raising awareness about an issue or idea. Activism is often depicted in historical narratives through larger-than-life figures and mass movements. But the greatest activism takes place when ordinary individuals work to connect with others on a one-on-one level. From those small gestures, hope transforms into promise for everyone. Director Matthew Cooke (How to Make Money Selling Drugs) and I discussed this interpersonal activist approach as it appears in his latest documentary project, Survivors Guide to Prison (2018).

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Review – Black Panther (2018)

by Old King Clancy

The arrival of T’Challa in Civil War was a welcome addition to the MCU and his arc provided the film with a neutral viewpoint away from the already established Captain America and Iron Man. Now with Infinity War looming, the prince of Wakanda has been given his own film to help establish himself and Wakanda into the MCU. The result is one of Marvel’s best, and possibly their most politically important movie to date.

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Review – The Cloverfield Paradox (2018)

A Big Hit at the Superbowl but a Misfire for the Movie

by Nile Fortner

What made the first Cloverfield so fascinating was that they took something we’ve seen before like a giant monster in the city and they found a way to give it a new a new perspective. The 2008 Cloverfield film gave a new perspective that allowed audiences to see the death and the destruction of a monster in the city in the form of a found footage film. Even 2016’s surprise sequel and spin-off, 10 Cloverfield Lane, was a bold new take on a familiar story setup, and I actually loved this film, and would consider it an improvement over the first movie.

The trailer for The Cloverfield Paradox dropped at Superbowl 52 (Go Eagles). After the trailer was over, it said the movie was now showing on Netflix. After the Superbowl was over, I knew I was definitely going to check it out. I dusted the Dorito’s off my gut, almost spilled my beer, telling people at the Superbowl After-Party, “Move, I have to get home to see that new Cloverfield!”

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