by Taylor Lunsford

‘Ghost In The Shell’ is a remake from internationally acclaimed futuristic Japanese hit in 1995, directed by Mamoru Oshi of the same name and based on Masamune Shirow manga published in 1989. I just saw it yesterday morning and in it’s first 10 minutes, I was starting to think that this could be one of the best, visually impressive dystopian sci-fi films ever put onscreen. The film has a vibe of Ridley Scott’s sci-fi masterpiece, Blade Runner, with the aura of The Wachowski Brothers’, The Matrix . It’s hard not to think of some other films we’ve seen in the past years that touch on the same subject as this movie, but Rupert Sanders was able to find ways to continuously make it seem new to us.

The year is set in 2019: Major (played terrifically by Scarlett Johansson) is a female human-android and being called the first of her kind, designed to kill world’s most dangerous criminals. Major has mind and soul, she was told that she was saved from a terrific accident and only her brain survived. She is having visions, memories from her past that led her to the truth why she was brought to Hanka, a corporation that develop state-of-the-art robotics.

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