Review – Killing Ground (2017) Edinburgh Film Festival

by Old King Clancy

I’m gonna take some cues from Walter White and tread lightly on this review, part of what makes Killing Ground so great is how it utilizes a unique narrative technique in order to tell its story. In doing so, allow itself to hit some really disturbing and sickening moments that other horror films wouldn’t go near. This is gonna be a must for genre fans, but go in blind to get the full effect of what the film wants to put you through.

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BLOOD DYNASTY Release Announcement!

Coming to select streaming platforms this Halloween from Castle Films with a DVD release to follow

Noted film critic (ComingSoon.net), magazine editor (FANGORIA, DELIRIUM), composer (Music for Murder) and filmmaker (Blood for Irina, Female Werewolf, the upcoming Blue Eyes) Chris Alexander’s latest “fever dream” feature film Blood Dynasty will drip exclusively onto select streaming platforms on Halloween 2017 (October 31) from newly minted distributor Castle Films.  A DVD release will follow.

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Review-It Comes At Night (2017)

 

by Nile Fortner

This is a movie I have been looking forward to for a very long time. With a title like ‘It Comes at Night,’ the eerie trailers, the visually appealing posters, the A24 entertainment company who made The Witch and Ex Machina (two movies I love), and from all the marketing, I was expecting one of the best horror movies this year. Yay for horror movies! Who doesn’t love a good horror flick, a good spook to the spine every so often? I love horror movies, and it is actually one of my favorite genres. Unfortunately, us “horror heads” don’t get the most original or best treatment in the land of Hollywood. In my opinion, the best horror films lately have been foreign or independent. This is why I was looking forward to this somewhat “small budget under the radar” horror movie.

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Cinephellas Podcast – Episode 11 (Interview with Ward Horton)

New Perspectives: A Conversation with Ward Horton

By Christopher M. Rzigalinski

Who’s your favorite movie villain? What makes an antagonist threatening enough to fear, but vulnerable enough to find relatable? Too often these questions are ignored in favor of stereotypical performances. In the the new film Midnighters, however, Ward Horton develops a multi-layered anti-hero. Questions surround the identity of his character, “Smith,” forcing Horton to perform a spectrum of personality traits from suave to demonic. His ability to transform gives brings to fruition several plot points in the journey of Midnighters’ protagonist, Lindsey, played with sincere vulnerability by the phenomenal Alex Essoe.

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Camera Obscura: Interview with Director Aaron B. Koontz

Looking Beyond Eyes: An Interview with Aaron B. Koontz

By Christopher M. Rzigalinski

Schedules can be hectic. My flight back to Los Angeles from a wedding in New York and director Aaron B. Koontz’s packed press schedule meant that we couldn’t talk directly. But our good friends at the Katrina Wan Press Agency had our backs. Samantha Arevalo and Camelia Adibi forwarded my questions to Aaron so the Cinephellas community could get some insight into his artistic process, being a first-time director, and why he wanted to tackle Post Traumatic Stress Disorder in the new film Camera Obscura. I’d like to thank Samantha, Camelia, and Aaron for taking time out of their busy schedules, and I hope Aaron’s answers get you as hyped for the movie as I am.

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