Review – Overlord (2018)

We reviewed the WWII-set horror movie Overlord that was released on 4k, Blu-Ray, and DVD today.

#Overlord #MovieReview

“A small group of American soldiers find horror behind enemy lines on the eve of D-Day.”

 

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Review – The Man Who Killed Hitler and Then The Bigfoot (2019)

by Old King Clancy

There’s a lot of value in a name, if I see a movie called Hobo With A Shotgun, I know that I’m probably in for something violent, something ridiculous, and something fun. Or if I see a movie called 2 Fast 2 Furious, I know it’s probably “Dude-Bro Dog-Shit.” So when I got the chance to watch a movie called The Man Who Killed Hitler And Then The Bigfoot, I had all kinds of B-Movie ideas in my head about what it could be. To my surprise, the film is actually a reflective look on one man’s amazing life and the decidable un-amazing place he’s found himself in his old age. And I’m not sure how I feel about that, it’s not that the film wasn’t what I was expecting it to be, and the film itself didn’t know what it wanted to be.

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Cinephellas Podcast – Episode 25 (Interview with Trench 11 Director Leo Scherman)

by Logan Myerz

Halloween is around the corner and the horror genre is making a giant comeback with many independent films being released to larger theaters across the world. From the general consensus, horror is here to stay with many films and TV Shows using nostalgic elements to draw the audience in and never let them go. What makes these types of films compelling is the thought process, direction, practical effects, and originality. As a huge fan of this genre, I also really appreciate newer concepts and incorporating factual events into a film that will set itself apart from other movies that play it safe.

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The Last Witness – Interview with Piotr Szkopiak

Who Gets to Call it History?

Director Piotr Szkopiak Talks Justice, Katyn, and The Last Witness

Director Piotr Szkopiak on the set of The Last Witness

Photo courtesy of Momentum Pictures

 

By Christopher M. Rzigalinski

History is written by the victors and those with power. Significant events in the lives of ordinary citizens often go missing from news reports, calendars, and textbooks. But May 11th, 2018 was a monumental date. The Last Witness, Polish-Anglo writer and director Piotr Szkopiak’s second film, opened in Poland that day. Red carpet arrivals and press coverage mattered little compared to the importance of Szkopiak’s mother being present to watch the film.

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