AND THEN I GO- Official Trailer

In the cruel world of junior high, Edwin suffers in a state of anxiety and alienation alongside his only friend, Flake. Misunderstood by their families and demoralized at school daily, their fury simmers quietly until an idea for vengeance offers them a terrifying release. Based on the acclaimed novel “Project X” by Jim Shepard, this unflinching look at adolescence explores how the powerful bonds of childhood friendship and search for belonging can become a matter of life or death. Continue reading

Review – Annihilation (2018)

by Old King Clancy

As a writer, Alex Garland has had a hand in some of the best sci-fi of the 21st Century with 28 Days Later, Sunshine, and Dredd under his belt. He continued that trend into his directorial debut, Ex_Machina, which ended up as my top film for that year. When his latest film, Annihilation, got in the news for being considering too ‘smart’ for the average audience and sent straight to Netflix everywhere except the US, Canada, and China, you couldn’t help but wonder exactly how smart Garland had made his film. Especially, when you factor in that both Garland and one of the producers refused to bow into the studio demands to dumb the movie down.

Having now finally seen it, I’m glad Garland stuck to his guns because Annihilation is one of the most unapologetic cases of Hard Sci-Fi I’ve seen for a while.

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The Best and Worst Movies of 2017

by Kevin Muller

The Worst Films of 2017

10. Suburbicon

George Clooney took a shot at directing a film that was scripted by the Coen Brothers.  Unfortunately, the groundwork laid by the brothers wasn’t strong enough for Clooney to make a good film. It is spectacular failure. The first half of the film leads us through an interesting story that drops the ball in the second half. Clooney decided to combine an unproduced script, a crime film, and the true story of a black family living in a white suburb, into one movie. The problem is that both scripts have totally different tones and themes that could’ve worked if they had their own movie, but by mashing them together, it created a narrative mess that you can’t pinpoint where it starts and ends.

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Review – Thoroughbreds (2017)

by Colby Sanchez

After making its critically acclaimed debut at Sundance last year, Cory Finley’s Thoroughbreds finally saw the light of day last weekend. The film was originally titled Thoroughbred, but shortly after the premiere, Focus Features acquired the distribution rights and decided to make changes to its name. Currently with a certified fresh rating of 86% on Rotten Tomatoes, first time director has certainly maintained an exquisite status with critics.

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Review – Hostiles (2017)

By Henry Hill

Sometimes when you haven’t seen an actor or actress in a film for a few years, they slip into the back of your mind, and it isn’t until you see the trailer for their next movie that you are reminded just how great they are at their craft. That was the case when I saw the trailer for Hostiles with Christian Bale starring. Ten years ago, Bale and Russell Crowe were in a terrific remake of the 1957 western, 3:10 to Yuma. The trailer for Hostiles hinted that we were in for another great western with Bale, and after seeing the film, I can say that it is a great western.

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The Lullaby – Interview with Reine Swart

by Nile Fortner

The Lullaby is a 2018 South African horror film directed by Darrell Roodt and written by Tarryn-Tanile. The film centers on a 19-year-old mother named Chloe Heerden, who returns to her hometown, Eden Rock, and tries to embrace the terms of being a mother. Even though Chloe has support from her mother, Ruby, Chloe has the willies and has a difficult time grasping the idea of being a mother.

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