Review – Fantastic Beasts: The Crimes of Grindelwald (2018)

by Armando Vanegas

For as financially and culturally successful as the Harry Potter books and movies were, the first Fantastic Beasts movie seemed to have the shelf life of a forgettable CBS procedural, which might actually be redundant. It was somehow really successful but it seems to not really have any cultural relevance. Like I remember seeing it, but in the words of one of my favorite podcasts, Blank Check with Griffin and David, it’s not a movie that exists. This theory is also supported by the fact that that no one else seems to ever talk about it enough to stand out in anyone’s memory. Aside from the beasts, Colin Farrell as the villain, and Dan Fogler as Jacob, I’m hard pressed to find anything that stood out in that previous movie.

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Review – Creed II (2018)

Hearts on Fire!! It’s ‘Drago vs. Creed’ in Steven Caple Jr’s Creed II. Logan Myerz reviews the sequel film that is now playing in theaters everywhere.

#Creed2 #CreedII #MovieReview

“Under the tutelage of Rocky Balboa, light heavyweight contender Adonis Creed faces off against Viktor Drago, son of Ivan Drago.”

Review – Fantastic Beasts : The Crimes of Grindelwald (2018)

by Old King Clancy

I’ll be honest and say that the Harry Potter series is not ‘sacred’ to me in any way, but the books were a strong part of my childhood and the films even more so. So I’m a definite fan of the franchise and even enjoyed the first Fantastic Beasts film bringing us back into the Wizarding World. So it’s difficult for me to call The Crimes Of Grindelwald a bad movie when there’s little to say that it isn’t.

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Review – Widows (2018)

by Old King Clancy

Given Steve McQueen’s (no not that one) previous works being far more dramatic affairs touching on protests, sex addiction, and slavery, having him helm a heist movie sounds strange on paper. Even more so when you realize the heist film is an adaptation of a British TV Series from the 80’s and co-written by Gone Girl’s Gillian Flynn. But as fans of both Flynn and McQueen’s works and a solid cast backing them up, Widows looked to be a thrilling change of pace.

What we got was a thrilling change of pace, but still carrying McQueen’s dramatic flair.

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Review – First Man (2018)

by Kevin Muller

From the halls of renowned musical school to the hills of Hollywood, Academy Award winning director, Damien Chazelle, who still is the youngest director to win the award, has a love affair with ambition and what it takes to be the best. Andrew, from Whiplash, and Mia and Sebastian, from La La Land, sacrificed their wants and needs in order to attain their dreams. This time, the stakes are a bit higher. This life or death mission to space shows the many lives lost from countless failures to one of America’s proudest moments. Does Chazelle pull it off?

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Review – A Star is Born (2018)

by Kevin Muller

The word, remake, has become a dirty word in Hollywood. Whenever one is announced, people roll their eyes, and either totally ignore it or hand over their money in some type of curious shame. The new film, A Star is Born, is the third cinematic iteration of the popular story about a musician, in his decline, that finds both talent and hope in a young female aspiring singer. The pair this time are Lady Gaga and Bradley Cooper, who not only stars as the male lead, but directed, co-wrote, and produced this epic love story.

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