Review – Beetlejuice Beetlejuice (2024) **31 Days of Horror**

Thirty-six years after introducing “The Ghost with the Most” to audiences in 1988’s Beetlejuice, Michael Keaton and Tim Burton reunite for the sequel Beetlejuice Beetlejuice. Logan and Henry step into the world of the recently deceased to review the blockbuster film for ‘31 Days of Horror’. It’s showtime! 🪲🧃🎃💀👻

#Beetlejuice #Beetlejuicebeetlejuice #MovieReview #31DaysofHorror

“After a family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her teenage daughter, Astrid, accidentally opens the portal to the Afterlife.”

Review – Beetlejuice Beetlejuice (2024)

by Kevin Muller

Thirty-six years ago, the original Beetlejuice kicked the door down with its fantastical design, oddball charm, dark humor, and one hell of a performance by Michael Keaton, who played the title character. Since then, we have had a cartoon and Broadway musical based upon everyone’s favorite demon. Over the course of the near forty-year gap between the first one and the new film Beetlejuice Beetlejuice, there have been talks about a sequel, but no one ever took it seriously. Apparently, when signing on to Stranger Things, Winona Ryder’s contract specifically said that if the film did go forth with a sequel, that she would be granted the time off, just in case it did happen. Well, now that the new film has released, this maybe one of the reasons why the new season of her hit Netflix show is taking so long. So, was it worth the wait?

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Cinephellas Podcast – Episode 13 (Interview with Matt Schrader)

Complementary Rhythms: A Conversation with Matt Schrader

By Christopher M. Rzigalinski

On this episode of the Cinephellas Podcast we have my conversation with Matt Schrader, making his directorial debut with Score: A Film Music Documentary. Matt provides keen insight into how this film was made. We discuss how his previous career as a major network news producer influenced his approach to directing, his favorite cinematic memories, and the difficulties of making a fact-based documentary in the era of Fake News. The conversation made me want to see the movie ten more times; I hope it gets you excited, too.

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Classic Review – Batman (1989)

batman_1989_-_poster_fan_art

by Armando Vanegas

Even watching Tim Burton’s Batman now, it still sets the stage for a spectacle and you can see the kind of skill Tim Burton can put into a movie. Right from the beginning, this seems like this could be something big and to be fair, it’s not like there was a lot of superhero movies coming out at the time. Thankfully, it does live up to what a big screen blockbuster should and can be. Granted, some of the effects and the sets are a bit fake looking thanks to the great powers of HD but there’s still a very fun experience to be had here. There’s a lot of money being shown on the screen with the sets, which do a great job at presenting this world. I remember rewatching this a few years ago and I was not particularly blown away by it but there’s something about this recent watch that made me appreciate it more. The thing is that it’s not the kind of movie we see anymore especially from the perspective of a comic book movie. It’s kind of endearing that this was made solely just to tell a story and to entertain but it’s just that. I don’t have to watch 12 more movies to lead up to a franchise just to witness a satisfying end for this movie. Not that that’s bad but I’m in school right now and as a result, I’m not always in the mood for that kind of movie. Anyway, this movie is just called Batman and that’s pretty much what it’s about. I saw Batman do what Batman needed to do and I’m all the more appreciative for that.

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