Once you cross this line, there’s no going back. Logan Myerz reviews J.C. Chandor’s new heist film Triple Frontier now streaming on Netflix.
#TripleFrontier #Netflix #MovieReview #NetflixReview
“Loyalties are tested when five former special forces operatives reunite to steal a drug lord’s fortune, unleashing a chain of unintended consequences.”
Samuel Goldwyn Films announced today that the company has acquired U.S. rights to Jesse V. Johnson’s action thriller AVENGEMENT. The film stars Scott Adkins (ACCIDENT MAN/DOCTOR STRANGE), Craig Fairbrass (LONDON HEIST), Nick Moran (LOCK STOCK AND TWO SMOKING BARRELS), Thomas Turgoose (KINGSMAN: THE GOLDEN CIRCLE/ THIS IS ENGLAND), Kierston Wareing (FISH TANK/100 STREETS), and Louis Mandylor (MY BIG FAT GREEK WEDDING/IN THE EYES OF A KILLER).
The film will be released in theatres and on digital May 24th. Bleiberg Entertainment produced the film through its Compound B genre label and is handling worldwide sales.
Sometimes, I get bored reviewing new movies so for some reason, I wanted to go through all the Wes Anderson movies in chronological order in the meantime. It’s just something that gives me a challenge to do and maybe there will be unexpected feelings and unique thoughts I never saw coming. So, without further delay, let’s begin with his 1996 debut, Bottle Rocket. I remember this being a movie that got a lot of play on Comedy Central back in the day and it was always the kind of movie that I never felt compelled to watch when it’s on. Honestly, I was never impressed with the bits I’d seen, but there were always interesting sequences that made the rest of the movie worth it. So, in subsequent years, I would watch bits and pieces because there was sometimes nothing to watch on cable. When I last watched this movie, I rated this movie rather highly back when I was more of a snob when it came to movies. But as anyone who has read my Phantom Thread review, I’ve decided to just to watch movies as their own individual self, judge them as their own thing no matter who’s involved in terms of the directors, the writers, or the actors. Watching this again was interesting. As a movie directed by someone who would be later become one of the most idiosyncratic and quirky filmmakers of our time, younger middle school me who watched this on cable was right. Outside of a few well directed sequences, it’s fine.
Logan Myerz reviews the newest entry in ‘The Amityville Horror‘ franchise, ‘The Amityville Murders.’ The film hits theaters, On Demand, and Digital today!
#TheAmityvilleMurders #MovieReview #Horror
“On the night of November 13, 1974, Ronald DeFeo, Jr. took a high-powered rifle and murdered his entire family as they slept. At his trial, DeFeo claimed that “voices” in the house commanded him to kill. This is their story.”
On this episode of Cinephellas Podcast, we interviewed the talented Diane Franklin (Better Off Dead/Bill &Ted ) about her role in the new horror film, The Amityville Murders. This is her second time in the The Amityville Horror franchise and she shares her experience getting cast in the film, the real Amityville House, and her upcoming projects.
THE AMITYVILLE MURDERS hits theaters, On Demand, and Digital today!
We reviewed the new Netflix documentary Conversations with a Killer: The Ted Bundy Tapes.
#conversationswithakiller #TedBundyTapes #TedBundy #NetflixReview
“A look inside the mind of serial killer Ted Bundy featuring interviews with him on death row. Present-day interviews, archival footage and audio recordings made on death row form a searing portrait of notorious serial killer Ted Bundy.”
Steve McQueen’s Widows is a very entertaining time as it feels like a throwback to the older dramas that used to be a big deal before superhero movies and franchises were a thing. If you want to see great actors doing their thing while a great director does his best job at being artful while being contained in a mainstream bubble, then this is the movie for you. A lot of the ads made this look like a big action-packed heist movie and just know that it’s not that. If you’ve seen any of McQueen’s other movies, you know what to expect from him here. It’s more of a slow burn character study about how three women are forced to break out of their shells created by their now deceased husbands through their crimes by way of financial stability. While that might seem heavy, it’s engrossing from beginning to end thanks to great performances and McQueen’s directing.
