Review – The Gray Man (2022)

Ryan Gosling stars as Six, the CIA’s secret assassin who must go head to head with a sociopathic former operative named Lloyd, played by Chris Evans. Watch our review and find out what Logan and Henry thought about the new Russo Brother’s action movie The Gray Man that is now streaming on Netflix.

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“When a shadowy CIA agent uncovers damning agency secrets, he’s hunted across the globe by a sociopathic rogue operative who’s put a bounty on his head.”

Review – Elvis (2022)

Those wild hound dogs Logan and Henry take a trip to the heartbreak hotel and review Baz Luhrmann’s Elvis, starring Austin Butler and Tom Hanks.

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“Elvis is Baz Luhrmann’s biopic of Elvis Presley, from his childhood to becoming a rock and movie star in the 1950s while maintaining a complex relationship with his manager, Colonel Tom Parker.”

Review – Being the Ricardos (2021)

by Kevin Muller

Lucille Ball’s reign during the Golden Age of television was something to behold. Lucy took the nation by storm with her sit-com about a fictitious marriage between her and her real-life husband, Desi Arnaz. Despite her playing an airhead on screen, off screen she was a woman in control of her destiny. Academy Award winning writer, Aaron Sorkin, who also directs, takes us into one week of her life, where you see her challenged in more ways than one.   

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Review – Cruella (2021)

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‘Cruella’ is the latest live-action Disney film to hit Disney+ and theaters everywhere and we’re back to give you our take on on the film, starring Emma Stone as the young villain in the making. Find out if it’s worth all 101 hairpieces, or if it’s a little hollow and bare like Mark Strong’s chrome dome.

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“A live-action prequel feature film following a young Cruella de Vil.”

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Oscars 2020 – Predictions

 

Kevin Muller‘s Oscar Picks

Visual Effects

Avengers: Endgame

The Irishman

1917

The Lion King

Star Wars: Rise of the Skywalker

 

My Pick: 1917

What Will Win: 1917

While the people will be pulling for Avengers: Endgame, I feel that the sheer mastery of direction, and visual trickery, of Sam Mendes World War 1 film, will take it all.  It’s a masterpiece of filmmaking that pushed the extremes of the singular shot technique.

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