We’re back to announce our first #PhellasGiveAway winner of 2024. We’ll be back on February 1st to announce our next giveaway winner.
#Oppenheimer #MovieReview #Giveaway #Contest #phellasgiveaway
“The story of American scientist J. Robert Oppenheimer and his role in the development of the atomic bomb.”
We’re back to announce our first giveaway of 2024. Check out the video below to find out how you can enter in the contest and we’ll announce one winner on January 18th. Good luck and Happy New Year!
#Oppenheimer #MovieReview #Giveaway #Contest #phellasgiveaway
“The story of American scientist J. Robert Oppenheimer and his role in the development of the atomic bomb.”
See the full list of nominees below.
Best Motion Picture, Drama
“Oppenheimer” (Universal Pictures)
“Killers of the Flower Moon” (Apple Original Films/Paramount Pictures)
“Maestro” (Netflix)
“Past Lives” (A24)
“The Zone of Interest” (A24)
“Anatomy of a Fall” (Neon)
Don’t have a short fuse because the CinePhellas are here to make an impact. Countdown with Kevin and Nile as they review Christopher Nolan’s Oppenheimer…. The film has made over 400 million at the global box office.
#Oppeneheimer #OppenheimerMovie #MovieReview
“The story of American scientist, J. Robert Oppenheimer, and his role in the development of the atomic bomb.”
We’re back with our review of Christopher Nolan’s new film about the father of the atomic bomb Oppenheimer. The film along with Barbie, (‘Barbenheimer’) combined for an opening weekend at the box office of $536 Million.
#Oppeneheimer #OppenheimerMovie #MovieReview
“The story of American scientist, J. Robert Oppenheimer, and his role in the development of the atomic bomb.”
Logan and Henry return to the movie theater for the first time in over a year to watch and review the sequel to the hit 2018 horror film, A Quiet Place 2.
#AQuietPlace2 #AQuietPlace #MovieReview
“Following the events at home, the Abbott family now face the terrors of the outside world. Forced to venture into the unknown, they realize the creatures that hunt by sound are not the only threats lurking beyond the sand path.”
by Henry Hill
Some movies are made with the sole purpose of being seen on the big screen. In the case of director Christopher Nolan, a majority of his films fall into this category. They are grand in scope and give the viewer the feeling as if they are pedestrians on a city street being towered over by skyscrapers. The cinematography of Nolan’s films always include wide shots showcasing the vastness of the particular setting they are taking place in and always have a very authentic feel to them, placing the viewer in the thick of the story, and making them feel like they are part of a large world. Dunkirk is no different; it was filmed using the large format IMAX cameras and it is a behemoth of a war movie complete with thunderous explosions, a heart-thumping soundtrack, and one of the most harrowing evacuations in history.
I’ve been a fan of Ben Wheatley ever since ‘A Field In England’ blew my mind to such a degree that I still can’t properly define the experience. To that end I think it’s safe to say that Free Fire is his most commercial film to date. Actually that sounds way too pretentious, basically this is the first Wheatley film I’ve seen that doesn’t feel like a Wheatley film, but that doesn’t make it a bad film. Free Fire takes the Reservoir Dogs formula of greedy idiots with guns stuck in a warehouse and rolls with it, ending up with a fun and energetic little piece that brings out a great ensemble piece.
Set in 1970s Boston, the film finds two IRA members, Chris (Cillian Murphy) and Frank (Michael Smiley), teaming up with Frank’s junkie brother-in-law Steve-O (Sam Riley)and his friend Bernie (Enzo Cilenti)to help buy guns from South African arms dealer Vernon (Shalto Copley) and his partners; ex-black panther Martin (Babou Ceesay)and dope-smoking middle-man Ord (Armie Hammer) with third-party Justine (Brie Larson) acting as intermediary. To Frank’s anger, Steve-O got into a fight earlier that day and has been left with a black eye.
The deal goes down but not without its problems, Frank is openly hostile to Ord, Vernon’s ego gets in the way and Chris claims that the guns being sold to him aren’t what he ordered. Despite the hostilities a deal is made and money switches hands, that is until Steve-O realises that Vernon’s driver Harry (Jack Reynor) is the man who beat him up earlier that day for bottling Harry’s cousin after she wouldn’t put out. The already on-edge deal gets put under even more pressure when Steve-O brags to Harry about what he did, forcing Harry to fire the first bullet.
Cinephellas 