Review – NOS4A2 : Pilot Episode (2019)

We had the pleasure of checking out the first episode of AMC‘s NOS4A2 at C2E2 in Chicago back in March. Today, Henry and Logan took a trip to Christmasland to review the first episode that premieres on June 2nd!

#NOS4A2 #JoeHill #AMC #TVReview

“Charlie Manx, a seductive immortal who feeds off the souls of children, has his whole world threatened when a young woman in New England discovers she has a dangerous gift.”

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Cinephellas Invade C2E2 2019!

The Cinephellas bring you back into the world of C2E2 in Chicago! Including the Clueless Reunion with Paul Rudd, Freaks and Geeks panel, AMC’s N0S4A2, cosplay, video games, anime, and much more!

#c2e219 #C2E2 #c2e22019 #Reviews #NOS4A2 #PaulRudd #Clueless #FreaksandGeeks

We want to give a special thanks to C2E2 for having the Cinephellas! See ya’ll next year!

AMC to Unveil Premiere Episodes of NOS4A2 and Into the Badlands at C2E2 on 3/23!

On Saturday, March 23rd at C2E2, there will be a panel and premiere screening of AMC’s groundbreaking martial arts drama Into the Badlands, and special screening of the premiere episode of the network’s highly-anticipated new supernatural horror series NOS4A2 starring Zachary Quinto.

Into the Badlands Panel & premiere screening: 11:45 am to 1:15 pm in Room S404

NOS4A2 Screening: 4:30pm to 5:30pm at the Main Stage

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Paul Rudd and Breckin Meyer Join Clueless Reunion @ C2E2 !

Chicago Comic & Entertainment Expo (C2E2) is bringing together stars from the 1995 blockbuster Clueless for a reunion panel on Saturday, March 23rd, at 12:15pm on the C2E2 Main Stage at McCormick Place. ReedPOP, the world’s leading producer of pop culture events, today announced the addition of Paul Rudd and Breckin Meyer to the Clueless reunion panel, which also features Alicia Silverstone and Donald Faison.

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Review – Slice (2018)

by Old King Clancy

Movies like Slice are part of a genre that I’m now trade-marking as “Kitchen Sink Movies,” films like Detention and Freaks Of Nature that take wildly outlandish concepts, throw the kitchen sink at the screen, and pray to god that it’s entertaining because it’s sure as hell not gonna make any sense. It’s a difficult genre to pull off since you run the risk of going too far and blurring out any attempt at story, or you don’t go far enough and your wild concept just feels flimsy and unfocused. In the case of Slice, it unfortunately suffers from the latter issue.

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